Showing posts with label Thorold Dickinson. Show all posts
Showing posts with label Thorold Dickinson. Show all posts

Sunday, January 7, 2024

Three, Seven, Ace

Film: The Queen of Spades
Format: Streaming video from Amazon Prime on Fire!

There are times when I will get kind of locked onto a particular movie that I can’t find because of the name. That’s definitely been the case for some reason with The Queen of Spades, a late-1940s film that has a number of horror elements. This is very much a period piece, and it has the sort of connection to horror that many films of the time did. This isn’t genuinely scary in any real sense, but it touches on the supernatural and at least tells the audience that there are demonic forces involved. For post-war society, that was probably enough to get people squeamish.

The film takes place in 1806 Russia, in both military and societal circles. The military men spend their time playing a game they call faro, and it seems to be based on a real game. While it’s never fully explained, the game seems to work like this. One player picks a card from his own deck of cards and places it face down. The dealer then goes through his own deck of cards, separating it one by one into two piles. If the player’s card comes up in the dealer’s half of the deck, the dealer wins. If it comes up in the player’s half, the player wins. While the men play, engineer Captain Herman Suvorin (Anton Walbrook) watches, intrigued, but never betting. We learn soon enough that he is far from wealthy, a fact that he attributes to his lack of upward mobility through the ranks.

Tuesday, February 5, 2013

We Remember Thee, Zion

Film: Giv’a 24 Eina Ona (Hill 24 Doesn’t Answer)
Format: Video from The Magic Flashdrive on laptop.

Some of the films on The List I privately call “unicorns.” What that basically means to me is that if for some reason I didn’t finish the full list, it would be because I couldn’t find this particular rarity. Deseret was one such film, as is The Cool World. Another of this is Giv’a 24 Eina Ona (Hill 24 Doesn’t Answer). I don’t know if this film has ever been released in the United States. It most certainly has never gotten a desperately needed restoration, which is a whole different issue.

This is the first film ever produced in Israel, and as might be expected, it is extremely pro-Zionist. That’s probably to be expected. The new Israeli citizens, facing attack from all sides just after the formation of the new nation all fight for the freedom and survival of the new state. The British, who held the mandate on the area, are depicted quite favorably, as are the Americans to some extent, and the Druze people. The Arabs, as should be expected in a pro-Israel film made less than a decade after the reformation of the nation and after the war in question, are almost faceless, rampaging villains.