Monday, February 19, 2018
Fredric March: The Best Years of Our Lives (winner)
Laurence Olivier: Henry V
James Stewart: It’s a Wonderful Life
Larry Parks: The Jolson Story
Gregory Peck: The Yearling
Sunday, February 18, 2018
Format: DVD from NetFlix on laptop.
There are a few important things I need to say before I delve too far into The Rose. The first is that I am an unabashed fan of Bette Midler as a human being; I think she’s aces. The second is that I’m not a huge fan of Bette Midler as a performer. Her style on stage as a singer doesn’t do a lot for me. Third, since that this is more or less an unofficial biopic of Janis Joplin, I should come clean on the fact that I genuinely dislike Janis Joplin as a singer. This means there are going to be some pain points for me here—we’ve got someone I don’t love as a performer acting as someone I don’t like as a performer, and she performs a lot.
So, yeah, this is an unofficial Janis Joplin biopic, which is clear pretty quickly. In fact, the only reason it’s not an official biopic is that Joplin’s family wouldn’t allow it. This is how the name of this movie went from Pearl to The Rose in the first place. And, unlike a true biopic, The Rose covers a very short period of time, a period that is awash in bad behavior, drugs, and alcohol.
Saturday, February 17, 2018
Format: Turner Classic Movies on rockin’ flatscreen.
I have a huge soft spot for science fiction from the 1950s. There’s something wonderfully naïve and goofy about it, a charm that really doesn’t exist in any other combination of time and genre in film history. Science fiction from these years contain the promise of galactic exploration and the danger of alien civilizations, often tinged with hints of Cold War politics. There’s nothing quite like them. When The Thing from Another World popped up on TCM, I jumped at the chance to record it and rewatch it.
The biggest issue with The Thing from Another World is something that isn’t its fault. The film was reimagined in 1982 by John Carpenter, and Carpenter’s version is just about perfect. Unless you’re already a fan, it’s hard to get really excited about a version of the story that isn’t as good as the one you’ve already seen. Still, it’s sometimes nice to see where it comes from, and in this case, The Thing from Another World paved some ground that Carpenter later used to his own great advantage.
Friday, February 16, 2018
William Wyler: The Collector
John Schlesinger: Darling
David Lean: Doctor Zhivago
Robert Wise: The Sound of Music (winner)
Hiroshi Teshigahara: Woman in the Dunes
Format: Turner Classic Movies on big ol’ televison.
There are plenty of times I go into a movie without knowing a great deal about it. With The Hasty Heart, I didn’t even realize that this was a film with a military angle to the story. In fact, there’s not so much a military angle to the story as this is a very strange military story from front to back. In that respect it reminds me a bit of Tunes of Glory, except that this one is weirder in almost every regard.
The Hasty Heart earns some big points right away for placing itself in the most obscure and least-known corner of World War II: Burma. We’re also going to be not in combat for the most part, but in a makeshift British hospital. The war ends right at the start of the movie, a fact that is going to set up the premise for the rest of the film.
Wednesday, February 14, 2018
Format: DVD from Sycamore Public Library on laptop.
I’m often a little nervous going into a movie that was important to me in my past. If you grew up roughly when I did, you knew Predator when it was new. You loved it for Jesse Ventura and Arnold saying, “Get to the choppah!.” The predator itself was cool and the effects were like nothing anyone had seen before. It wasn’t Citizen Kane, but it was crazy and had cool effects and lots of explosions and paramilitary garb. It was absolutely the sort of movie you grabbed for a weekend from the local video rental place.
But when a movie like this is 30+ years old, whether or not it really holds up is a real question. There are plenty of movies from this era that do, of course. Ghostbusters is still funny, for instance. But not all of them do. I rewatched Stripes a couple of years ago and spent most of the running time waiting for it to be funny at all let alone as funny as I remembered it. So what about Predator? Does it still pass muster more than 30 years on?
Tuesday, February 13, 2018
Format: DVD from Sycamore Public Library on laptop.
I remember seeing the trailer for Goodnight Mommy (Ich Seh, Ich Seh in the original German). I was on vacation with my family in North Carolina, still having to do a little work, and it popped up somewhere on social media. The trailer makes it look like the greatest horror movie ever created. Trailers have that power, of course, and once again, what I got was substantially less than the trailer seemed to offer. Don’t take that as my saying that Goodnight Mommy isn’t worth a look. It is, but it’s not the second coming of horror film.
A woman (Susanne Wuest) returns to her isolated home after cosmetic surgery, her face completely bandaged. At home are her twin sons, Lukas (Lukas Schwarz) and Elias (Elias Schwarz). Immediately, things are strange. The woman only seems to interact with Elias, telling them that they know why she won’t talk to Lukas. She is also extremely angry about things, losing her temper quickly. Additionally, she demands that the house be kept quiet with the blinds drawn while she recuperates.