Format: Internet video on the latest internet machine.
There are plenty of actors in the world who seem to do little more than simply play themselves. That could come from several different factors. It might be that the person in question is being typecast and is just getting more or less the same role over and over. In some cases, though, it seems like the actor just doesn’t have much in the way of actual range. I think, for instance, of someone like Edward Everett Horton—an actor I enjoy quite a bit—but someone who more or less played the same guy over and over in the same sort of movie over and over. Based on his Oscar-nominated performance in The Affairs of Cellini, I can say the same thing about Frank Morgan.
Again, I want to go on the record as saying that I like Frank Morgan. The moment he walks on screen in The Affairs of Cellini, though, you know immediately who he is even if you don’t know who he is. In this film, he’s playing Alessandro, the Duke of Florence, but if you saw him, heard him speak, and immediately thought that Oz the Great and Powerful somehow ended up in Renaissance Florence, I would forgive you. Aside from the costuming and the facial hair, there’s not a molecule of difference between Oz and Alessandro. What this also means is that while there are moments of drama in this film, we’re not going to get a great deal in the way of seriousness.