Infect Me With Your Love

Film: 28 Years Later
Format: Streaming video from NetFlix on various players.

28 Days Later is not just one of my favorite horror movies; it’s one of my favorite movies. I was wildly disappointed in the sequel, 28 Weeks Later. The first 10-15 minutes are brutal and fantastic, and then it becomes a series of plot holes. Danny Boyle and Alex Garland have returned to the series, though, and have inexplicably skipped having 28 Months Later, going instead for years. I was guardedly optimistic going into this one. I adore the first movie, but I’ve been burned by a sequel before.

The lore is something that definitely needs to be addressed here. The second movie ends with what seems to be the Rage virus being released on the European mainland, a fact that would quickly lead to the virus spreading across all of Europe, into the Middle East and Asia, and potentially into Africa as well. We get a snippet at the start of the virus spreading in the Scottish highlands, with a young boy named Jimmy Crystal (Rocco Haynes initially) escaping, and also watching his minister father willingly give himself over to the infected in what he believes to be something like the Rapture.

Oscar Got It Wrong!: Best Picture 2024

The Contenders:

Anora (winner)
The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance
Wicked

...But No Mule

Film: 40 Acres
Format: DVD from DeKalb Public Library on gigantic television.

I’ve said a couple of times in the past that one of the subgenres we’re going to start seeing more and more of is environmental-based horror. Environmental disaster science fiction is going to be just as much a thing in coming years. 40 Acres is absolutely a film in that subgenre. While this is an action movie in a lot of respects, the entirety of the film turns on climate catastrophe and famine.

We are in the new future, and the world has experienced a massive catastrophe. A fungal blight has destroyed crops the world over, plunging the entire planet into a massive famine. While food is a prized commodity, it is arable farmland that is the true prize. Any place where actual crops can be grown is more valuable than anything else.

Let it Rot

Film: The Shrouds
Format: Streaming video from Kanopy on Fire!

David Cronenberg makes movies that are upsetting. He took a break from overt horror movies for a bit, but the movies he made were still upsetting in real ways (and I remain convinced that Eastern Promises is the most depressing movie with a happy ending I have ever seen). Lately, he’s slid back into horror films. The Shrouds is a film that touches on horror, but only in the sense that there are clear body horror elements to it, which is par for the course with Cronenberg. This is much more a science fiction drama with disturbing romance elements, but since it’s Cronenberg, horror is certainly going to be an element.

The Shrouds is also a film that has a suitably bizarre premise to get things going, something that Cronenberg is no stranger to. That’s not a necessity for Cronenberg, but it is pretty common. The central premise of The Shrouds is that there are people who, so distraught in grief by the loss of a loved one that they would want to be able to see the body of the body of that loved one decaying in the grave.

What I've Caught Up With, January 2026 Part 2

I watched some television in January as well. I finished a show from Shudder called Horror's Greatest, and it was a decent look at different aspects of the horror genre. I also finished the Fargo television show as my workout show, and I cannot recommend the show enough. Even if the stories weren't great (and they are), the cast list is one of the most impressive ever put together. The most out-of-the-norm show I watched was the She-Ra cartoon series that is soon being removed from NetFlix. Normally, that's not really my speed, but when an openly pro-gay, pro-trans, pro-feminist show that is not completely transferred to discs is about to disappear, potentially forever, I think it's important to watch.

What I've Caught Up With, January 2026 Part 1

My stated goal—usually one that I fall very short on—is to watch 400 movies every year. That sounds like a lot, but it’s a movie a day plus three movies per month (2 in February). That being the case, I need to watch 34 movies in January to be on pace. I watched 31, so I’m a touch behind, but not terribly so, and it feels like something easily surmountable. I did watch a ton of movies off the big list of stuff to catch up on, so that’s a help.

Oscar Got It Wrong!: Best Director 2024

The Contenders:

Sean Baker: Anora (winner)
Brady Corbet: The Brutalist
James Mangold: A Complete Unknown
Jaques Audiard: Emilia Perez
Coralie Fargeat: The Substance