Friday, August 30, 2019
Barbra Streisand: Funny Girl (co-winner)
Vanessa Redgrave: Isadora
Katharine Hepburn: The Lion in Winter (co-winner)
Joanne Woodward: Rachel, Rachel
Patricia Neal: The Subject was Roses
Wednesday, August 28, 2019
Format: DVD from Manteno Public Library through interlibrary loan laptop.
When Halloween III: Season of the Witch (hereafter referred to just as Halloween III) was released in 1982, it was a huge disappointment. That’s kind of a shame, because it really is a cool idea. John Carpenter’s original plan was to create a new Halloween movie every year telling a completely different non-Michael Myers horror story. The fans of the original two films weren’t having it, though, making this a box office disappointment and forcing the return of the Shatner mask in subsequent movies.
In that sense, Halloween III was perhaps a little ahead of its time, or perhaps simply the wrong idea that the wrong time. Creating something like an extended anthology that would be a series of unrelated films under the same umbrella name is a pretty great idea. It’s a shame that this underperformed so much and the basic idea had to be scrapped.
Monday, August 26, 2019
William Hurt: Children of a Lesser God
Paul Newman: The Color of Money (winner)
Bob Hoskins: Mona Lisa
Dexter Gordon: ‘Round Midnight
James Woods: Salvador
Friday, August 23, 2019
Wednesday, August 21, 2019
Format: DVD from Mokena Community Public Library on laptop.
I think horror comedy is probably not that easy to do well. To make a good horror comedy, you have to do more than just have a horror movie with some jokes in it. I Sell the Dead is a movie that is clearly aware of this. It wants to have a real horror connection here, but also doesn’t want to take itself that seriously. It would be easy to call it a throwback to more classic horror films, but that would be selling I Sell the Dead short. It’s not a throwback to older movies; instead it feels very much like a cinematic homage to old EC comics like The Vault of Horror.
This is going to be a film told in flashback. A man named Willy Grimes (Larry Fesenenden) is led to the guillotine and has his head neatly removed. We switch to a cell in the prison where Arthur Blake (Dominic Monaghan) is awaiting his own slicey end. Before he is lead to his execution, he is visited by Father Duffy (Ron Perlman) to provide something like a confession that can be used as a cautionary tale for others who might want to take up his life of crime.
Monday, August 19, 2019
Life is Beautiful
Saving Private Ryan
Shakespeare in Love (winner)
The Thin Red Line
Saturday, August 17, 2019
Format: DVD from Lasalle Public Library through interlibrary loan on laptop.
I went into The Devil’s Advocate having seen it before, but not really remembering a lot beyond the basic plot and the fact that it starred Keanu Reeves and Al Pacino. I had forgotten or never realized that Charlize Theron, Tamara Tunie, Jeffrey Jones, and Craig T. Nelson were in this as well. The plot is one that, upon hearing it, I wondered why it hadn’t been done this fully before, or at least done to this extent. Put simply, a lawyer discovers that the guy he is working for is literally Satan. This is a big reveal at the end of the film, but I honestly don’t feel bad putting that in the opening paragraph here. First of all, the movie is called The Devil’s Advocate, and second, if you don’t realize this pretty quickly, you’re not really paying attention to the movie.
Kevin Lomax (Keanu Reeves) is a high-priced criminal lawyer currently working a case where a middle school teacher has been accused of sexual abuse of one of his students. While the young girl is on the stand giving testimony, Kevin notices his client more or less jerking off, and in this moment, he realizes that the man he is defending is guilty. He asks for a short recess and retreats to the bathroom, where we learn that this might well be the first case that he ever loses. But no, despite the horror of his client and the clear guilt, Kevin goes back into the courtroom and gets the man cleared of charges. He’s just that good.
Friday, August 16, 2019
Alice Doesn’t Live Here Anymore
Day for Night
Harry and Tonto
Thursday, August 15, 2019
Format: DVD from Cortland Public Library on rockin’ flatscreen.
It will come as no surprise to anyone who comes to this website that I haven’t really been that into putting up reviews lately. This is despite the fact that I have probably six dozen or so written and just waiting to be posted. My heart hasn’t been in it lately, and it’s been a struggle to even put up the Oscar posts on Monday and Friday. Don’t worry—I’m not shuttering the blog. In fact, I’m going to try to do the opposite and posting regularly again. It’s been a tough few months, and I want to feel like this is important to me again. That being the case, a mostly-comedy horror comedy like Scary Movie, a genre that is more often miss than hit, was probably not the best idea. But it was better than a 150-minute epic tonight. Baby steps, right?
Scary Movie is obviously a parody, mainly of Scream, but also of films like I Know What You Did Last Summer, Urban Legend, The Sixth Sense, and similar hacky-slashy teen horror films. There are going to be direct references to films like The Blair Witch Project as well as more classic horror films like Halloween throughout. Also, because this was made in 2000, there’s going to be a reference to The Matrix, specifically the bullet time sequence.
Monday, August 12, 2019
Friday, August 9, 2019
Lynn Redgrave: Georgy Girl
Anouk Aimee: A Man and a Woman
Vanessa Redgrave: Morgan—A Suitable Case for Treatment
Ida Kaminska: The Shop on Main Street
Elizabeth Taylor: Who’s Afraid of Virginia Woolf? (winner)
Tuesday, August 6, 2019
Format: DVD from Sycamore Public Library on laptop.
I figured that My Name is Bruce was going to be a rough ride. I love me some Bruce Campbell, but he’s long stood by the idea that for him, the bigger the movie, the smaller the part. He’s clearly the star here, playing a version of himself in a movie that he is directing. Based on that formula, that makes this a very small movie, indeed.
The central conceit to My Name is Bruce is that Bruce Campbell, B-movie star extraordinaire, is a terrible human being in real life. According to this film, Campbell is hated by everyone he works with, constantly drunk, tries to have sex with every woman he meets, is rude to his fans, and lives in a trailer. It’s a clearly comedic version of Campbell who, from everything I can gather, appears to be generally well-liked by the people he works with. Campbell was obviously good with this version of himself, though, since the film itself is clearly parody.
Monday, August 5, 2019
Montgomery Clift: From Here to Eternity
Burt Lancaster: From Here to Eternity
Marlon Brando: Julius Caesar
Richard Burton: The Robe
William Holden: Stalag 17 (winner)
Saturday, August 3, 2019
Format: DVD from NetFlix on rockin’ flatscreen.
Anyone who has done any sort of acting will tell you that comedy is harder than drama. There’s a reason that a lot of dramatic actors fail terribly as comedian on film and why so many comedians are capable of turning in powerful and profound performances in dramas. The history of film is replete with comedic actors who have wowed audiences with a dramatic turn. Recently, Steve Carrell getting Oscar nominated for Foxcatcher was surprising. It’s more surprising that he genuinely earned that nomination, and just as surprising that everyone was so surprised by it. Well, it’s Melissa McCarthy’s turn in Can You Ever Forgive Me?, and the same things apply. It’s surprising she was nominated, surprising just how good she is, and surprising at how much that shocks me.
Before I dive into Can You Ever Forgive Me? there is something I want to talk about. Around the middle of my MA, I took a class in literary research and bibliography. One of the projects we had to undertake was a bibliography of a bibliographer. My pick was a guy named Thomas Wise. It turns out that Wise was one of the most famous literary forgers in history, which explains the title of this review. If you’ve got a few minutes, look him up on Wikipedia (which is fine for this sort of casual research). His biography seems like it could have easily inspired this movie, had this movie not already been based on a real story.
Friday, August 2, 2019
Wesley Ruggles: Cimarron
Clarence Brown: A Free Soul
Lewis Milestone: The Front Page
Josef von Sternberg: Morocco
Norman Taurog: Skippy (winner)