Apex Predator

Film: Predator: Badlands
Format: DVD from Cortland Public Library on gigantic television.

The original Predator movie is a classic and the second one is at least interesting, if not that great. And from there, the franchise tanked and it stayed tanked until it was handed to Dan Trachtenberg with Prey. Since this film, the franchise is on an upswing. The animated Predator: Killer of Killers was a great addition to the series, and then came Predator” Badlands. And while it’s not quite at the level of Prey, it really feels like the third movie in the franchise in a row that really gets it.

What’s different this time is that for the first time in the franchise, the film in the main will come from the perspective of the predator (the species refers to itself as “Yautja”) rather than the hunted prey. A young Yautja named Dek (Dimitrius Schuster-Koloamatangi) is the runt of his family, and because of this, desperate to prove himself. For his hunt to bring him fully into the clan, he decides to travel to the hell world of Genna and hunt a creature known as the Kalisk, thought to be unkillable.

Let's Make a Baby

Film: The Assessment
Format: Streaming video from Hulu on Fire!

I’ve said before that horror movies are going to be more and more about environmental issues. The same is true of science fiction. Some science fiction will be specifically about environmental issues, and then there will be films like The Assessment, where the environmental problems are tangential.

We’re looking at a world in this case where some environmental disaster has happened. The environment has collapsed and resources have become rare, which means that the powers that be have put huge restrictions on parenthood. This is not just because of the scarcity of resources but also because human life expectancy has been dramatically increased through a variety of pharmaceuticals, drugs that also prevent fertility. In this world, people who want to be parents must be assessed for fitness.

"Nightmare" is Right

Film: A Nightmare on Elm Street (2010)
Format: DVD from Cortland Public Library on gigantic television.

There’s an idea that circulates online every now and then is that filmmakers should remake movies that had good premises but turned out badly. Imagine, if you will, a version of Army of the Dead that didn’t suck. Sadly, though, we live in a world where the good and great movies get remade or rebooted, and nowhere does that appear to be more prevalent than in the horror genre. Tons of the classics have been remade with varying levels of skill. And while there have been some real trainwrecks, perhaps nothing has been more egregious than the 2010 remake of A Nightmare on Elm Street.

Honestly, it seems inevitable. Most of the best work of Wes Craven has been remade (The Hills Have Eyes, Last House on the Left) or rebooted (Scream), so why not his absolute masterwork? This feels like a venal cash grab, something so completely soulless that there’s a whiff of brimstone when one opens the DVD case. And, since the film was produced by Michael Bay, that fits completely.

Good Times Never Seemed so Good

Film: Song Sung Blue
Format: Streaming video from Peacock on Fire!

I’m extremely white. A few years ago, when it was the thing to do, I had my DNA run on 23 and Me and the results were than 99.9% of my DNA is from the British Isles, northern Europe, and Scandanavia. A substantial amount of my ancestry could chuck a rock into the Arctic Circle. What this means is that there are a few things I can count myself an expert in. One of those is white people music. The whitest music ever made isn’t country or bluegrass or polka. It’s Neil Diamond. That being the case, it was only a matter of time before we got a movie that featured Diamond’s music, and thus we have Song Sung Blue.

Song Sung Blue is a biopic, but it’s not a biopic of Neil Diamond himself. Instead, it’s about Mike Sardina (Hugh Jackman) and his wife Claire (Kate Hudson, who was Oscar-nominated for this role). The two made a living in part as tribute musicians, with Claire specializing as Patsy Cline. They realize that Mike, who calls himself “Lightning,” could probably pull off a Neil Diamond tribute band (what he styles instead as a Neil Diamond experience).

I'm a Snake When We Disagree

Film: Zootopia 2
Format: Streaming video from Disney Plus on Fire!

I had issues with Zootopia when it was released. It’s a movie whose heart is in the right place when it comes to things like racism, but it gets so much wrong that it’s hard to connect it to the way that racism actually works in the real world. Essentially, the ultimate message of Zootopia is that the way to defeat racism is to just stop being racist. That being the case, I didn’t have a lot of hope for an improvement in this when it comes to Zootopia 2, which gives us a much more obvious racism plot.

The reason it’s more obvious in this case is that we’re bringing in an entire class or two of animals into the story. The original Zootopia concerned itself entirely with mammals. For the sequel, we’re bringing in reptiles. I looked for amphibians—I didn’t see any, so they may be reserving them for a future sequel (but you can expect based on the short scene in the credits that if there is a Zootopia 3, it will center on birds).

Germany's Most Wanted

Film: Nuremberg
Format: Streaming video from NetFlix on Fire!

Every year, there’s an Oscar bait movie or two that fails to secure a single nomination. Sometimes, it’s a good to great film that is simply overlooked, like The Woman King from 2022 or The Iron Claw from the subsequent year. Sometimes, it’s a movie that has gone hilariously bad, like Cats from 2019. And then there are the movies that have big ambitions, but fail to gain any traction. By all rights, Nuremberg was created for a run at the Oscars, and it goose egged.

It had to have had a shot, though. It’s a movie that is clearly relevant, discussing the Nuremberg trials at the end of WWII, making clear comparisons to the rise of fascism in the U.S. today. It’s headlined by two Oscar winners (Russell Crowe and Rami Malek) and a two-time nominee (Michael Shannon) and a one-time nominee (Richard E. Grant). This was clearly a film that wanted to take a swing for the top prize, and probably a few others (Best Actor, Supporting Actor, and Adapted Screenplay for a start).

Save the Green Planet (Trade it with Friends)

Film: Bugonia
Format: Streaming video from Peacock on Fire!

Of all the Best Picture nominees, Bugonia is the one that I’ve been putting off. Before you correct me and say that there’s at least one available streaming that I haven’t seen, I acknowledge that, but Bugonia has been available for a long time. The truth is that I don’t like Yorgos Lanthimos films as a rule. In fact, of the four I have seen prior to this one, The Favourite is the only one I can say I’ve actually enjoyed. Honestly, I think that’s a fair justification for why I’ve waited this long.

I also knew that this is a remake of a Korean film called Save the Green Planet! There was a part of me that thought I should watch the original before I watched the remake. But, at some point, you just need to get the work done, and what that means here is getting through Oscar films. Surprisingly (for me), this gives me 7 out of 10 for Best Picture before the ceremony starts, and it completes me on Best Adapted Screenplay. That’s got to be a record for me.

Vroooooooooooom!

Film: F1 (F1: The Movie)
Format: Streaming video from Apple TV on rockin’ flatscreen.

There is a huge problem at the heart of F1 (sometimes called F1: The Movie). The problem is that because we know we are watching a movie, the endgame is played out for us once we know the premise of the film. Once you know what the plot is, the ending, while not guaranteed, is shuttled into a couple of possibilities with slight variation. It makes about 90 minutes or so of the film not meaningless, but having nothing really at stake. We know where we have to get.

We’re going to start not with F1 cars but racing at Daytona in the 24 hours at Daytona event. The person we are focusing on is Sonny Hayes (Brad Pitt), a one-time F1 prodigy gone from that world for 30 years. Hayes now lives in his van, moving from driving gig to driving gig, essentially working for hire. His team wins the race, but he refuses to touch the trophy, or even really to celebrate. He collects his bonus check and drives off.

Green Acres, Beverly Hillbillies, Petticoat Junction

Film: One Battle After Another
Format: Streaming video from HBOMax on Fire!

We need a regular reminder that the Oscars are political and rarely correct. I say this because Paul Thomas Anderson is almost certainly going to win Best Director on Sunday and One Battle After Another seems likely to take Best Picture. The reason this is upsetting is that this is clearly not the best movie of this year and not the best directorial performance. However, Paul Thomas Anderson is a top director and much like the year that Christopher Nolan won for Oppenheimer, people have decided that it’s Anderson’s year.

That’s frustrating. Paul Thomas Anderson, to be fair, does have 14 nominations and no wins, so I understand the sentiment that he is due for a win. The problem is that One Battle After Another, while a fine movie, is not anything close to Anderson’s best work. This feels like Pacino winning an Oscar for Scent of a Woman or Paul Newman finally winning for The Color of Money. But, that’s where we are, and in a couple of days, it’s likely that that’s where we’ll remain.

Too Too Solid Flesh

Film: Hamnet
Format: Streaming video from Peacock on Fire!

My undergrad degree is in English literature. What this means is that there are times when I know at least some of what is going to happen in a movie. You can’t be much of an English student without knowing something of the life of William Shakespeare. Because of this, while I didn’t know exactly where we were going with Hamnet, I at least knew one or two of the major plot points. In this case, that doesn’t affect my enjoyment of the film, but it does mean that there will be people who are shocked at a particular moment that I spent a large part of the film expecting.

With Hamnet, named after Shakespeare’s son (both the movie and the play), we’re not getting a new filmed version of Hamlet, but sort of the story of its creation. This is much more the story of Shakespeare’s (Paul Mescal) tumultuous family life and his tormented relationship with his wife Agnes (Jessie Buckley). This was something that surprised me—traditionally, Shakespeare’s wife is recorded as Anne, but no matter.

Take a Ride on the Reading

Film: Train Dreams
Format: Streaming video from NetFlix on gigantic television.

At this point, I think the Best Picture race is pretty much limited to One Battle After Another and Sinners with an outside chance of Marty Supreme. Honestly, even Sinners feels like an outsider at this point, with oddsmakers giving OBAA a better-than 60% chance. Train Dreams has virtually no chance of winning, and that has essentially been the case from the moment the nominations dropped. It doesn’t have much of a chance, but I am pleased that it was nominated. Oscar should go out of its way to nominate films like Train Dreams more often, if only to call out more attention to them.

Train Dreams is not the kind of movie that is normally going to get a great deal of attention from the average movie watcher. It is slow to a fault. Not a great deal happens in it. Even the massive forest fire, something that could easily become something like an action sequence is slow. I don’t have a problem with this, but I imagine that some people will.

What I've Caught Up With, February 2026 Part 2

Television-wise, I didn't finish a lot of shows. I completed Jessica Jones. I had watched the first season years ago but never completed the series. I rewatched Season 1 and then the rest of the show. I also caught up with the second season of Hazbin Hotel. My current workout show is Evil, which is essentially the X-Files if it were Catholic. I'm also most of the way through The Good Wife. Interestingly, Mike Colter has a few appearances on Jessica Jones, is a regular on The Good Wife, and a main character on Evil. Other than that, I'm slowly getting through Babylon 5.

What I've Caught Up With, February 2026 Part 1

My yearly goal for movies is 400, which is less than it sounds. To be on pace, I should be at 64 movies at the end of February. I'm a touch behind at 60, but not terribly behind. I'm hoping to catch up a few in March. If I get 34 movies, I'm keeping pace; more than that and I'm catching up. This was a month where I got a lot done in terms of taking movies off the various lists. In the next few months, there may be less, because I'll be looking more at Oscar movies, at least for a bit.

At Least It Wasn't an HOA

Film: The Perfect Neighbor
Format: Streaming video from NetFlix on Fire!

There are too many stories where people of color who are not a threat or acting in a threatening manner are nonetheless gunned down by the police. What we don’t hear about as much, aside from particularly celebrated cases, is the people who are shot as a result of “stand your ground” laws. By some estimates, 700 or more people are killed using this law every year, and particularly in the cases of white people shooting Black people, they get away with it. The Perfect Neighbor explores one such case.

This doesn’t merely explore the situation in question, though. Rather than interview the children of the woman who was killed, or have a roundtable discussion with the neighbors, The Perfect Neighbor uses bodycam and police interrogation room footage to tell the story. This is literally a story told in the words of the people who experienced it, filtered only by what is included in the edit. There’s nothing cleaned up here—no language or action, no matter how ugly or unsettling.

Love for Sale

Film: Rental Family
Format: Streaming video from Hulu Plus on Fire!

Brendan Fraser seems like one of those people who is genuinely a nice person. He’s the kind of person who I want to see succeed; he seems like someone who would be fun to hang out with, or have dinner with. When I first saw the trailer for Rental Family, I was of two minds. First, I thought it looked like the sort of film that Fraser should be doing—a drama with a great deal of heart, but it also looked like a film designed to capitalize on Fraser’s recent resurgence and Oscar win. But I also knew that I would be unable to resist watching it.

This is important for Rental Family, because this is a film that only works if we like Brendan Fraser. Well, we need to like his character. This is very much a film about empathy, and getting to that is going to be hampered if we have none for the main character.

You Saw Me Standin' Alone

Film: Blue Moon
Format: Streaming video from NetFlix on Fire!

When people talk about very talented actors, people who are genuinely and consistently good at the craft, Ethan Hawke doesn’t get mentioned enough. Hawke feels (to me) like one of those actors who goes into every job like it’s the one that’s going to make his career. He commits, and he’s good to great in pretty much everything he’s been in, at least that I’ve seen (and I even forgive him for The Purge). I was happy to see that he was nominated for an Oscar, his third acting nomination and first for lead. Blue Moon hinges entirely on Ethan Hawke’s performance. This film is him, and he is the film, even with a good supporting cast.

Blue Moon is a memoir of sorts of Lorenz “Larry” Hart (Hawke), the lyricist half of Rodgers and Hart, who wrote a number of Broadway musicals over the course of a couple of decades. Hart’s decline came about not from rumors of his sexuality (he was what we would today probably call pansexual), but his copious drinking. Rodgers, needing a more consistent partner for his music, teamed up with Oscar Hammerstein to make the greatest musical composition team ever, starting with their first collaboration, Oklahoma!

A Boy and His...Zombie?

Film: Fido
Format: Streaming video from Tubi TV on Fire!

The movie Fido tanked at the box office in 2006, and I think there’s a specific reason for it that has nothing to do with the actual quality of the film. The problem is that Fido is a spoof of a type of movie that is no longer made. This is a zombie film, which puts it firmly in the horror camp, but much more than that, this is a parody of Lassie movies, just with a zombie instead of a collie. The kid in this is even named Timmy.

Fido takes place in an alternate timeline in what looks like the 1950s. Because of space radiation, the dead come back to life as flesh-eating ghouls, which caused a worldwide war against the undead. The radiation still plagues the planet, and the newly dead also return as zombies unless they are quickly cremated or decapitated. Many people, though, are neither decapitated nor cremated—they are collared and become zombie servants tasked with menial jobs. All of this is controlled by a company called ZomCon, which also maintains fences around town, keeping folks safe from the zombie-infested wild zones.

BTS, Eat Your Heart Out

Film: KPop Demon Hunters
Format: Streaming video from NetFlix on Fire!

Based on the film’s almost immediate cultural impact, I suppose I wasn’t really surprised at the Oscar nomination for KPop Demon Hunters. When this hit NetFlix, it became a huge sensation. What better place to start going through Oscar movies than this, I thought. It’s not a movie I would normally choose to watch and I’ll knock it out quickly and move on. Honestly, my original plan was to watch One Battle After Another, but by the time I had a chance to sit down with a movie, it would have taken my past midnight to finish. And so, KPop Demon Hunters it is.

This is a film where I want to spend a lot of time on what it is and less on the plot, so I’m going to speedrun the story in three paragraphs. Years ago, demons plagued the Earth, collecting souls and feeding them to Gwi-Ma (Byung-hun Lee), the demon king. A trio of women rose up to stop the demons, and pushed them back both with fighting skill and with the power of song, which created a magical barrier called the Honmoon. As time progressed, new signing trios emerged to maintain the Honmoon and fight against the demons who managed to break through.

More Like a Bad Dream

Film: Sleepwalkers
Format: Streaming video from Tubi TV on Fire!

We have got to talk about Sleepwalkers. Once upon a time, Stephen King, who wrote this screenplay, had a serious drug problem. There’s evidence of that in some of his projects, like the ridiculous Maximum Overdrive (the only movie he directed), and this one. Sleepwalkers has a premise that is at least mildly interesting, if a bit derivative. But once you get past the premise, this movie is complete nonsense. What it has going for it is that it’s the ridiculous kind of nonsense that eventually gets beyond silly and kind of becomes entertaining again.

You should be aware right from the start that we are going to go in some nasty places here—not nasty in the sense of blood and gore, but nasty in the sense of the habits of our two main characters. We start with police in California investigating a house that is surrounded by the bodies of dead, often mutilated cats. There’s also the desiccated body of a young girl in the house as well, but no sign of the occupants.

Infect Me With Your Love

Film: 28 Years Later
Format: Streaming video from NetFlix on various players.

28 Days Later is not just one of my favorite horror movies; it’s one of my favorite movies. I was wildly disappointed in the sequel, 28 Weeks Later. The first 10-15 minutes are brutal and fantastic, and then it becomes a series of plot holes. Danny Boyle and Alex Garland have returned to the series, though, and have inexplicably skipped having 28 Months Later, going instead for years. I was guardedly optimistic going into this one. I adore the first movie, but I’ve been burned by a sequel before.

The lore is something that definitely needs to be addressed here. The second movie ends with what seems to be the Rage virus being released on the European mainland, a fact that would quickly lead to the virus spreading across all of Europe, into the Middle East and Asia, and potentially into Africa as well. We get a snippet at the start of the virus spreading in the Scottish highlands, with a young boy named Jimmy Crystal (Rocco Haynes initially) escaping, and also watching his minister father willingly give himself over to the infected in what he believes to be something like the Rapture.

Oscar Got It Wrong!: Best Picture 2024

The Contenders:

Anora (winner)
The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance
Wicked

...But No Mule

Film: 40 Acres
Format: DVD from DeKalb Public Library on gigantic television.

I’ve said a couple of times in the past that one of the subgenres we’re going to start seeing more and more of is environmental-based horror. Environmental disaster science fiction is going to be just as much a thing in coming years. 40 Acres is absolutely a film in that subgenre. While this is an action movie in a lot of respects, the entirety of the film turns on climate catastrophe and famine.

We are in the new future, and the world has experienced a massive catastrophe. A fungal blight has destroyed crops the world over, plunging the entire planet into a massive famine. While food is a prized commodity, it is arable farmland that is the true prize. Any place where actual crops can be grown is more valuable than anything else.

Let it Rot

Film: The Shrouds
Format: Streaming video from Kanopy on Fire!

David Cronenberg makes movies that are upsetting. He took a break from overt horror movies for a bit, but the movies he made were still upsetting in real ways (and I remain convinced that Eastern Promises is the most depressing movie with a happy ending I have ever seen). Lately, he’s slid back into horror films. The Shrouds is a film that touches on horror, but only in the sense that there are clear body horror elements to it, which is par for the course with Cronenberg. This is much more a science fiction drama with disturbing romance elements, but since it’s Cronenberg, horror is certainly going to be an element.

The Shrouds is also a film that has a suitably bizarre premise to get things going, something that Cronenberg is no stranger to. That’s not a necessity for Cronenberg, but it is pretty common. The central premise of The Shrouds is that there are people who, so distraught in grief by the loss of a loved one that they would want to be able to see the body of the body of that loved one decaying in the grave.

What I've Caught Up With, January 2026 Part 2

I watched some television in January as well. I finished a show from Shudder called Horror's Greatest, and it was a decent look at different aspects of the horror genre. I also finished the Fargo television show as my workout show, and I cannot recommend the show enough. Even if the stories weren't great (and they are), the cast list is one of the most impressive ever put together. The most out-of-the-norm show I watched was the She-Ra cartoon series that is soon being removed from NetFlix. Normally, that's not really my speed, but when an openly pro-gay, pro-trans, pro-feminist show that is not completely transferred to discs is about to disappear, potentially forever, I think it's important to watch.

What I've Caught Up With, January 2026 Part 1

My stated goal—usually one that I fall very short on—is to watch 400 movies every year. That sounds like a lot, but it’s a movie a day plus three movies per month (2 in February). That being the case, I need to watch 34 movies in January to be on pace. I watched 31, so I’m a touch behind, but not terribly so, and it feels like something easily surmountable. I did watch a ton of movies off the big list of stuff to catch up on, so that’s a help.

Oscar Got It Wrong!: Best Director 2024

The Contenders:

Sean Baker: Anora (winner)
Brady Corbet: The Brutalist
James Mangold: A Complete Unknown
Jaques Audiard: Emilia Perez
Coralie Fargeat: The Substance

Ever Since I Was a Young Boy, I've Played the Silver Ball

Film: Phantasm III: Lord of the Dead
Format: Streaming video from Peacock on Fire!

The first Phantasm movie is a weird horror classic—the sort of movie that invites you into the mind of Don Coscarelli, who clearly has more ideas than he knows what to do with. The Phantasm movies are famous for the flying chrome spheres that reveal head-stabbing blades and drills that drain people of blood and for the presence of the undertaker-adjacent Tall Man (Angus Scrimm). The first movie is a fever dream of murder and aliens, as is the second. By the time we’ve reached Phantasm III: Lord of the Dead, Coscarelli has lost the plot in a lot of ways.

That’s the thing about the Phantasm movies: they don’t make a great deal of sense. Are they supernatural horror movies? Is the Tall Man actually connected to aliens on some distant planet? If so, why resurrect the dead? The reality is that you either buy into the insanity of the films and the series or you don’t. If you buy in, you’re going to see some things that don’t make a lot of sense but will stick with you.

Oscar Got It Wrong!: Best Actor 2024

The Contenders:

Sebastian Stan: The Apprentice
Adrien Brody: The Brutalist (winner)
Timothée Chalamet: A Complete Unknown
Ralph Fiennes: Conclave
Colman Domingo: Sing Sing

Not That Kind of Bone

Film: Bone Lake
Format: Streaming video from NetFlix on various players.

When I saw that there was a movie called Bone Lake, I did immediately think that it was going to be a porn parody. Perhaps of Swan Lake? It’s not, of course, but that name is certainly sounds more like erotic thriller (in a crude way) than the horror movie it is. To be fair, it is equal parts horror and erotic thriller, so the name is doing double duty. “Bone” in this case is both the actual physical bones of victims as well as the more prurient use of the word as a verb. This fact is even lampshaded in the trailer.

What is interesting to me about Bone Lake initially is that the premise is one that is obvious. There’s a twist moment here that, if you don’t see it coming, you need to get off your phone and actually watch the movie. That first twist is followed by a second one that lands solidly. It’s not one that is necessary for the movie to work, but it comes as a surprise, and it genuinely does raise the film a bit in my estimation at least.

Herbert West Returns

Film: Beyond Re-Animator
Format: Streaming video from Tubi TV on Fire!

For horror fans, the first time you see Re-Animator is one of those pivotal moments. It either solidifies exactly why you are a horror fan or you start to question your decisions. Needless to say, as a horror fan, it’s a film that I genuinely love. It’s disgusting, disturbing, transgressive, and funny. It’s clearly a horror film that is happy to have comedic moments without really being a horror comedy. So it’s not surprising that there’s actually a Re-Animator trilogy. Most people know Bride of Re-Animator (the natural name for a sequel to a Frankenstein-esque story), but Beyond Re-Animator is far less known.

Sadly, that’s probably for a good reason. Of the three movies in the series, this is clearly the least of the three, and not merely because it’s the third film in the trilogy, which is traditionally where a series tanks. The issue here is that it deviates from some of the established rules of the franchise.

Oscar Got It Wrong!: Best Actress 2024

The Contenders:

Mikey Madison: Anora (winner)
Karla Sofia Gascón: Emilia Pérez
Fernanda Torres: I’m Still Here
Demi Moore: The Substance
Cynthia Erivo: Wicked

Stay Tuned!

Film: The Running Man (2025)
Format: Streaming video from Paramount on Fire!

I don’t pay a lot of attention to new releases, although I do pay a little attention to them. In 2025, of all of the coming movies, the two I was the most excited about were The Long Walk and The Running Man, both based on books written by Stephen King under his pseudonym, Richard Bachman. The Long Walk made some clear changes to the book, but it kept the story generally the same, and it was generally a successful adaptation. But I was just as excited for The Running Man, which looked to be a legitimately accurate adaptation of the original book.

I need to stress this, because when I mention the book The Running Man, people get visions of Arnold Schwartzenegger and Richard Dawson. It’s a fun movie, but it’s not anything like the original story, which was transgressive, dystopian, and sweeping in a way that the first movie couldn’t approach. But sadly, The Running Man was getting lackluster reviews and didn’t stay in theaters long enough for me to see it there. I’ve seen it now, and there is a problem at the heart of it. To talk about it, though, we need to put this whole thing under a spoiler tag for both the movie and the original Bachman/King book. Consider yourself warned.

Deadbeat Dad

Film: Frankenstein (2025)
Format: Streaming video from NetFlix on various players.

I am not shy about my love of the work of Guillermo del Toro on this blog. I don’t often go to the theater, but Frankenstein is the first live-action del Toro film in a bit that I haven’t seen on its release. GdT has a reputation of loving his monsters. He’s also someone who, if you go through his films carefully, always makes humans worse than the monsters he shows us (or makes the standard vampires worse than the mutant vampires in Blade II). This is a running theme for him, so Frankenstein was an inevitability.

The running wisdom of the original Mary Shelley novel is that smart people realize that Frankenstein is the doctor, not the monster; wise people realize that Dr. Frankenstein is the monster. Del Toro is going to stay true to this. Victor Frankenstein (Oscar Isaac) is absolutely the villain of this story, while the creature (Jacob Elordi), while monstrous in appearance and sometimes in action, is clearly being depicted as an innocent.

Oscar Got It Wrong!: Best Adapted Screenplay 2024

The Contenders:

A Complete Unknown
Conclave (winner)
Emilia Perez
Nickel Boys
Sing Sing

Jane's Addiction Approves

Film: Caught Stealing
Format: Streaming video from NetFlix on gigantic television.

Long-time readers of this blog will know of my constant enjoyment of film noir, including neo-noir. I also tend to like Darren Aronofsky, although he is frequently hit-or-miss. Aronofsky doing noir has a lot of potential, so Caught Stealing is a film that certainly had a great deal of potential. I feel the same way about Austin Butler. I haven’t made my mind up about him completely as an actor, although he certainly has the look. Say what you will about him, he’s certainly pretty.

Caught Stealing takes place a couple of years before the turn of the last century in New York. Former baseball standout, San Francisco Giants fan, and dive bar bartender Hank Thompson (Butler) has his life not so much together as built the way he wants it. He works at night, drinks too much, and spends his nights after work with his nurse girlfriend Yvonne (Zoë Kravitz). Everything is fine until his British punk neighbor Russ (Matt Smith) asks him to take care of his cat while he goes back to London to visit his ailing father.

Oscar Got It Wrong!: Best Original Screenplay 2024

The Contenders:

Anora (winner)
The Brutalist
A Real Pain
September 5
The Substance

Bad Bunny

Film: Caveat
Format: DVD from Sycamore Public Library on gigantic television.

There are times when, to follow a movie where it wants to go, you have to give in to some ridiculous premises. Caveat is a movie like that. There’s going to be a moment early in the film that beggars one’s ability to willingly suspend disbelief. If you can manage to deal with the fact that the movie demands that you accept something completely ridiculous, you’re in for some good scares and an interesting concept.

Isaac (Johnny French) is a man with significant amnesia and no real direction. This makes him the perfect person for a job from his landlord, Moe Barrett (Ben Caplan). Barrett has a niece named Olga (Leila Sykes) who suffers from bouts of catatonia and lives by herself in an isolated house. Barrett wants Isaac to go and stay with her for a couple of days. Essentially, if she is left on her own for too long, something bad can happen to her, because she can zone out for long periods of time. Isaac agrees to the job, especially because he’s going to earn £200 per day.

I Think the Stripper Likes Me

Film: Anora
Format: Streaming video from Hulu Plus on Fire!

My goal was to get through my set of Oscar films by the end of the year and to save the Best Picture winner, Anora, for last. I did save it for last, but circumstances prevented me from getting it watched until tonight. There was a part of me that didn’t really want to watch it (although I was far less enthused about The Apprentice). There are only a couple of ways for this story to go, and really only one interesting one, and on the surface, the characters didn’t appeal to me at all.

To give the elevator pitch, Anora is a far more realistic version of Pretty Woman. Exotic dancer/escort Anora “Ani” Mikheeva (Mikey Madison) dances at a club and for a fee frequently has sex with her clients. One night, a customer named Vanya (Mark Eydelshteyn) wants someone who will speak Russian with him, and Anora gets tapped. Vanya is in New York City from Russia alleged for school, but he spends most of his time playing video games and partying. How can he afford this? His father is a Russian oligarch and a billionaire.

What I've Caught Up With, December 2025 Part 2

When it comes to catching up on television, I knocked out some big shows in December. These include Batman: The Animated Series and the follow-up, The New Batman Adventures (same voice cast, more stylized art). I also finished both Twin Peaks and Twin Peaks: The Return. The biggest removal, though was Lucifer. It's a fun show, but as often seems to be the case, it started to drag once it moved from network TV to NetFlix.

What I've Caught Up With, December 2025 Part 1

I realize that January 1 of any year is an arbitrary place to start making changes, but it does feel somehow natural. As always, my goal is always to watch 400 movies over the course of the year. Mathematically, this works out to one movie per day plus three additional movies per month. It’s not that much, and yet it’s a goal that I almost always fall short on.

Oscar Got It Wrong!: Best Animated Feature 2024

The Contenders:

Flow (winner)
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot