Showing posts with label Gordon Hessler. Show all posts
Showing posts with label Gordon Hessler. Show all posts

Monday, October 31, 2022

Ten Days of Terror!: Cry of the Banshee

Film: Cry of the Banshee
Format: Streaming video from Amazon Prime on Fire!

There’s a weird point in horror movie history where suddenly nudity became a part of the picture. There’s an even weirder point in the history of horror movies where nudity crept into classier side of the horror movie industry. I expect nudity when it comes to the seamier side of horror, but it’s for some reason always a little surprising to me when it shows up in something that stars Peter Cushing or Vincent Price. Enter Cry of the Banshee, a Vincent Price vehicle that takes place in Elizabethan England and confronts us with multiple instances of rape and forced nudity.

We’re going to start with magistrate Lord Edward Whitman (Price). We see him preside over a witch trial and condemn the girl to being stripped and whipped through the streets. Later, at a dinner, he brings in a girl and her brother, accuses them of witchcraft, and ends up killing them both. This brings out the ire of his second wife Patricia (Essy Persson), who leaves the party. Because we’re going to want to amp up the sleaze right away, Whitman’s son Sean (Stephan Chase) follows her and forces himself on her, his step-mother. And, because of when this was made, we’re going to see her not merely succumb to this, but accept it, because of course that’s going to happen.

Tuesday, April 7, 2020

Coffin Something Up

Film: The Oblong Box
Format: DVD from personal collection on basement television

You never quite know what you’re going to get with an adaptation. For instance, you might get something that is relatively accurate to the source material with some changes due to time constraints. Jaws, for instance, is similar to the book in a lot of respects (and better in most). You might get something with significant changes for one reason or another. Minority Report has the basic idea in common with the original short story, but little else. Major characters in the movie don’t exist at all in the story, and none of the characters in the film resemble their short story inspiration. And then you get a movie like The Oblong Box. This claims to be inspired from the Poe short story of the same name, and yet the only resemblance the film has to the story is the title and the presence of a coffin.

In the original story, a man encounters someone on a ship off the coast of South Carolina. The man in question is alleged to have a beautiful, young wife but is seen with a wife who is quite unattractive. The man also is traveling with the titular oblong box in which the narrator believes he has stored a piece of valuable art. When we get to the end of the story (yes, spoilers for a 150+ year old short story; deal with it), we learn that the man’s “wife” on the voyage was actually his servant. His wife died shortly before the trip, and it was her body in the oblong box, because, well Edgar Allen Poe.

Saturday, May 26, 2018

Off Script: Scream and Scream Again

Film: Scream and Scream Again
Format: Turner Classic Movies on rockin’ flatscreen.

I’d love to tell you that Scream and Scream Again was a ton of fun for me to watch, but that would be a lie. It’s not, despite featuring a cast that includes Vincent Price, Christopher Lee, and Peter Cushing. In fact, it’s an incomprehensible mess. While this was based on a novel and apparently sticks pretty close to the source material, it also seems like virtually every horror and science fiction trope from vampirism and golem creation to random vats of acid lying around have been cobbled together with something akin to a narrative to hang all the scenes together. It feels like a film that wants to hit every touchstone of the genre in the hopes that there will be something there to please any fan. And, as normally happens when someone tries to tick off all the boxes, it ends up a poorly-conceived mess.

And that’s kind of the problem for me. This is a film that is almost impossible to summarize in any way that is remotely coherent. There are murders that involve people being drained of their blood and people having limbs amputated, and there’s a whole weird subplot that happens in something like a communist country with a strange symbol. There’s also Vincent Price as an eccentric doctor who literally has a vat of acid on his property. Our evil killer jumps into it at one point, after escaping from the police by more or less snapping his hand off to escape his handcuffs.