Friday, September 11, 2020
Oscar Got It Wrong!: Best Actress 2017
Margot Robbie: I, Tonya
Saoirse Ronan: Lady Bird
Meryl Streep: The Post
Sally Hawkins: The Shape of Water
Frances McDormand: Three Billboards Outside Ebbing, Missouri (winner)
Friday, March 13, 2020
Monday, December 30, 2019
Monday, September 9, 2019
Oscar Got It Wrong!: Best Picture 2017
Call Me by Your Name
Darkest Hour
Dunkirk
Get Out
Lady Bird
Phantom Thread
The Post
The Shape of Water (winner)
Three Billboards Outside Ebbing, Missouri
Thursday, May 31, 2018
Fly Away (from) Home
Format: Blu-Ray from DeKalb Public Library on rockin’ flatscreen.
One of this blog’s pet peeves along with romances between men and women half their age is coming-of-age movies. My contention has long been that when the main character is a boy, the story will be about coming to terms with death. Coming-of-age from the male perspective (at least in Hollywood) means coming to terms with mortality. For girls, coming-of-age films tend to be about sex, and in many cases, about sex with someone completely inappropriate (and often twice the girl’s age). So, while girls aren’t forced to deal with their impending deaths, they are forced to deal with their ability to create life. So how would Lady Bird fit into this? I was keen to find out.
Make no mistake; Lady Bird is a coming-of-age story. Christine “Lady Bird” McPherson (Saoirse Ronan) is a senior at a Catholic high school. It’s the early 2000s and the McPherson family lives in Sacramento, a place Lady Bird (she gave herself the nickname) is desperate to leave. She’d like to go to college somewhere on the East Coast where she believes culture exists, but the family is struggling financially and her mother Marion (Laurie Metcalf) tells her that the family can’t afford it and that she doesn’t really warrant it.