Showing posts with label Morton DaCosta. Show all posts
Showing posts with label Morton DaCosta. Show all posts

Sunday, November 16, 2014

G'Day, Mate

Film: Crocodile Dundee
Format: DVD from NetFlix on rockin’ flatscreen.

I own a copy of Crocodile Dundee, but it’s currently streaming on NetFlix. It was easier to just watch the stream than hook up the BluRay player and insert the disc and deal with all of that. I was in the mood for something light and simple today, something I knew and would be happy to watch. Crocodile Dundee fit the bill across the board. This is a little pastry of a story, light and fun and entertaining all the way through. It’s a film I know I like, and after the past week in the real world, I wanted something I knew that I liked.

Sue Charlton (Linda Kozlowski) is a reporter for a New York paper currently on assignment in Australia. She’s prepared to come home, but she wants to track down one last story, that of a man named Michael J. Dundee, who was alleged to have had his legs bitten off by a crocodile and then crawled across 100 miles of outback to return home. Seeing a solid human interest angle, she contacts Dundee’s business partner, Wally Reilly (John Meillon) about arranging a meeting, which turns into a two-day outback safari.

Saturday, November 15, 2014

Trouble in River City

Film: The Music Man
Format: DVD from NetFlix on laptop.

I tend to be a little twitchy when a musical shows up from NetFlix because it means I have to turn it around quickly to continue to get anything like value from the account. And I’m not really in the mood for a musical that often. It’s also a time thing—classic musicals are all about the bang for the buck for the audience, which means we’re always going quite a bit over the two hour mark. That’s absolutely the case with The Music Man, so I was leery and more so because it’s a period piece, set about 100 years ago. However, this is one of those musicals that comes complete with a bunch of really good and well-known songs, so I had some hope.

The Music Man is the musical story of a conman whose particular con involves “creating” brass bands of young men in towns across the Midwest. Professor Harold Hill (Robert Preston) has been the curse of traveling salesman across the state of Illinois. Thanks to his scams, even reputable salesmen can’t get the time of day before people are threatening tar and feathering. Having exhausted Illinois, Hill moves into Iowa and River City, just over the Mississippi, where he plans to run the exact same scam again.

Thursday, August 21, 2014

High Society Never Changes

Film: Auntie Mame
Format: DVD from Rockford Public Library on laptop.

Auntie Mame is a film I’ve seen before, so when I found it on a library shelf, I figured it was a painless choice. I’m still trying to watch longer films when I can, and Auntie Mame is a good length. What I forgot, since it’s been years since I had seen it, is that there are large swaths of this film that I don’t like very much. As it happens most of the things I dislike are specifically Mame herself.

We open as a man writes his will, suggesting that should he pass away, custody of his son will revert to his sister, Mame Dennis (Rosalind Russell), of who he evidently disapproves. Of course, he promptly dies and the boy, Patrick (Jan Handzlik) is promptly whisked off to Manhattan to live with his eccentric (to put it mildly) aunt. This is our introduction to the force of chaos theory that is Mame Dennis.