Showing posts with label Robert Ellis Miller. Show all posts
Showing posts with label Robert Ellis Miller. Show all posts

Saturday, March 25, 2017

What the Dog Saw

Film: Reuben, Reuben
Format: Internet video on laptop.

There’s a specific genre of film that seems odd to me. It’s essentially a character study of an unpleasant person. Sometimes, these films merit Oscar nominations. The most recent I can think of is Blue Jasmine, but Reuben, Reuben is a film very much in the same vein. We’re going to spend a great deal of time with a man who is more or less forced to be interesting because otherwise we’d want nothing to do with him.

The name of the film has nothing to do, really, with our main character. That is one Gowan McGland (Tom Conti), a dissolute half-Scots, half-Welsh poet of both repute and disrepute. His poetry has made him famous, at least in circles that care a bit about poetry. Everything else about him has made him infamous. He’s a womanizer, taken to bedding the middle-aged wives who show up at his poetry readings. He’s a drunk. He’s also a leech, sponging off anyone who is impressed by his talent, going so far as to steal the tips in restaurants before leaving. Worst of all, at least in terms of his career, is that he’s lazy and hasn’t written a thing for five years.

Sunday, July 10, 2016

Still Depressing with the Sound Off

Films: The Heart is a Lonely Hunter
Format: DVD from Manhattan-Elwood Public Library through interlibrary loan on laptop.

I should’ve know what I was getting into with The Heart is a Lonely Hunter, based as it is on the work of Carson McCullers. McCullers depresses me. Her stories tend to focus on misfits who don’t fit in with society and who can’t decide if they want to be a part of society or remain apart and aloof from it. Many of her characters have grandiose dreams that far exceed their ability to achieve them. That’s not specifically the case with our main character here, but it’s certainly the case with just about everyone else in the story.

This is the story of John Singer (a nominated Alan Arkin), a deaf-mute living in the South. His lone friend is Spiros Antonopoulos (Chuck McCann), an overgrown man with the mind of a child. Spiros is constantly in trouble because he doesn’t fully understand the idea of consequences or that (for instance) breaking the front window of the bakery and taking the cookies is a problem. Shortly after this incident, Spiros is sent off to an asylum by his frustrated uncle. John, having nothing to keep him in town, moves closer to where Spiros is and attempts to gain legal guardianship of his friend.