Format: Internet video on the new internet machine.
There is a sense that, when viewing an older film like this one, that I need to take into account the time in which the film was made. That’s always a good idea. As a film fan, it’s sometimes difficult to address older films with a more modern lens. We’ve seen that recently with the reaction against a film like Gone with the Wind, that has racial views that belong in the past but are tied up in understanding the story and the era of film in which it was made. The Valiant doesn’t have that kind of problem; it’s just a very early talkie and evidence that it took some time before people really figured out the medium of talking film.
What this means is that The Valiant is filled with the sort of acting that feels like it belongs on a stage, perhaps fitting for a film from 1929 that was adapted from a one-act play. We’ve got some very wooden line readings and some very ham-handed melodrama to deal with here. But at the same time, we also have the film debut of Paul Muni, who proved to be not just one of the first chameleons in talkie pictures, but one of the greatest forgotten actors of the modern age. Muni’s career included one Oscar win over five nominations that spanned 30 years—as his debut, this was clearly his first nomination; has last came for The Last Angry Man in 1959.
