Monday, January 26, 2026

Herbert West Returns

Film: Beyond Re-Animator
Format: Streaming video from Tubi TV on Fire!

For horror fans, the first time you see Re-Animator is one of those pivotal moments. It either solidifies exactly why you are a horror fan or you start to question your decisions. Needless to say, as a horror fan, it’s a film that I genuinely love. It’s disgusting, disturbing, transgressive, and funny. It’s clearly a horror film that is happy to have comedic moments without really being a horror comedy. So it’s not surprising that there’s actually a Re-Animator trilogy. Most people know Bride of Re-Animator (the natural name for a sequel to a Frankenstein-esque story), but Beyond Re-Animator is far less known.

Sadly, that’s probably for a good reason. Of the three movies in the series, this is clearly the least of the three, and not merely because it’s the third film in the trilogy, which is traditionally where a series tanks. The issue here is that it deviates from some of the established rules of the franchise.

Wednesday, January 21, 2026

Stay Tuned!

Film: The Running Man (2025)
Format: Streaming video from Paramount on Fire!

I don’t pay a lot of attention to new releases, although I do pay a little attention to them. In 2025, of all of the coming movies, the two I was the most excited about were The Long Walk and The Running Man, both based on books written by Stephen King under his pseudonym, Richard Bachman. The Long Walk made some clear changes to the book, but it kept the story generally the same, and it was generally a successful adaptation. But I was just as excited for The Running Man, which looked to be a legitimately accurate adaptation of the original book.

I need to stress this, because when I mention the book The Running Man, people get visions of Arnold Schwartzenegger and Richard Dawson. It’s a fun movie, but it’s not anything like the original story, which was transgressive, dystopian, and sweeping in a way that the first movie couldn’t approach. But sadly, The Running Man was getting lackluster reviews and didn’t stay in theaters long enough for me to see it there. I’ve seen it now, and there is a problem at the heart of it. To talk about it, though, we need to put this whole thing under a spoiler tag for both the movie and the original Bachman/King book. Consider yourself warned.

Sunday, January 18, 2026

Deadbeat Dad

Film: Frankenstein (2025)
Format: Streaming video from NetFlix on various players.

I am not shy about my love of the work of Guillermo del Toro on this blog. I don’t often go to the theater, but Frankenstein is the first live-action del Toro film in a bit that I haven’t seen on its release. GdT has a reputation of loving his monsters. He’s also someone who, if you go through his films carefully, always makes humans worse than the monsters he shows us (or makes the standard vampires worse than the mutant vampires in Blade II). This is a running theme for him, so Frankenstein was an inevitability.

The running wisdom of the original Mary Shelley novel is that smart people realize that Frankenstein is the doctor, not the monster; wise people realize that Dr. Frankenstein is the monster. Del Toro is going to stay true to this. Victor Frankenstein (Oscar Isaac) is absolutely the villain of this story, while the creature (Jacob Elordi), while monstrous in appearance and sometimes in action, is clearly being depicted as an innocent.

Thursday, January 15, 2026

Jane's Addiction Approves

Film: Caught Stealing
Format: Streaming video from NetFlix on gigantic television.

Long-time readers of this blog will know of my constant enjoyment of film noir, including neo-noir. I also tend to like Darren Aronofsky, although he is frequently hit-or-miss. Aronofsky doing noir has a lot of potential, so Caught Stealing is a film that certainly had a great deal of potential. I feel the same way about Austin Butler. I haven’t made my mind up about him completely as an actor, although he certainly has the look. Say what you will about him, he’s certainly pretty.

Caught Stealing takes place a couple of years before the turn of the last century in New York. Former baseball standout, San Francisco Giants fan, and dive bar bartender Hank Thompson (Butler) has his life not so much together as built the way he wants it. He works at night, drinks too much, and spends his nights after work with his nurse girlfriend Yvonne (Zoë Kravitz). Everything is fine until his British punk neighbor Russ (Matt Smith) asks him to take care of his cat while he goes back to London to visit his ailing father.