I Think the Stripper Likes Me

Film: Anora
Format: Streaming video from Hulu Plus on Fire!

My goal was to get through my set of Oscar films by the end of the year and to save the Best Picture winner, Anora, for last. I did save it for last, but circumstances prevented me from getting it watched until tonight. There was a part of me that didn’t really want to watch it (although I was far less enthused about The Apprentice). There are only a couple of ways for this story to go, and really only one interesting one, and on the surface, the characters didn’t appeal to me at all.

To give the elevator pitch, Anora is a far more realistic version of Pretty Woman. Exotic dancer/escort Anora “Ani” Mikheeva (Mikey Madison) dances at a club and for a fee frequently has sex with her clients. One night, a customer named Vanya (Mark Eydelshteyn) wants someone who will speak Russian with him, and Anora gets tapped. Vanya is in New York City from Russia alleged for school, but he spends most of his time playing video games and partying. How can he afford this? His father is a Russian oligarch and a billionaire.

What I've Caught Up With, December 2025 Part 2

When it comes to catching up on television, I knocked out some big shows in December. These include Batman: The Animated Series and the follow-up, The New Batman Adventures (same voice cast, more stylized art). I also finished both Twin Peaks and Twin Peaks: The Return. The biggest removal, though was Lucifer. It's a fun show, but as often seems to be the case, it started to drag once it moved from network TV to NetFlix.

What I've Caught Up With, December 2025 Part 1

I realize that January 1 of any year is an arbitrary place to start making changes, but it does feel somehow natural. As always, my goal is always to watch 400 movies over the course of the year. Mathematically, this works out to one movie per day plus three additional movies per month. It’s not that much, and yet it’s a goal that I almost always fall short on.

Oscar Got It Wrong!: Best Animated Feature 2024

The Contenders:

Flow (winner)
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot

End of Year Sixteen

I barely cracked 300 movies this year. It’s a little disappointing on the surface, but considering the year I had, it’s actually kind of impressive. 2025 has been a meat grinder for me; I’m not looking for sympathy or pats on the back, and I’m not trying to compare misery dicks with anyone on this. It’s been a rotten year and I’m happy to see it in the rearview.

I have a number of goals for 2026, both on this blog, online in general, and in the real world. I’m waking up more and more to what the world feels like it is and what I feel like it should be, and there is a large gap there that, bluntly, I feel the need to do something about.

Penny for Your Thoughts, Nickel for Your Sentence

Film: Nickel Boys
Format: Streaming video from Hulu Plus on Fire!

As we approach the end of the year, I realize that if I’m going to finish my Oscar chores, I need to get on the last couple of movies I haven’t seen. I started to watch Nickel Boys a few months ago, and then dropped off. This has nothing to do with the quality of the film. It has everything to do with the fact that it feels like this country is regressing, and movies that deal with oppression, racism, and similar topics are more overwhelming than normal right now. And make no mistake—this is very much a movie about racism and civil rights.

What’s frustrating here is that in a fair and just world, it wouldn’t be that story. We’re going to spend most of our time with Elwood Curtis (Ethan Herisse), who is a promising student who appears poised for academic success. He is accepted into a study program at an HBCU, and while hitchhiking to campus, is picked up by a man driving a stolen car. When they are pulled over, Elwood, who is a minor, is accused and convicted of being the man’s accomplice. As a minor, he can’t be sent to prison, so he is instead sent to a reform school called Nickel Academy.

Everyone's Autistic

Film: The Phoenician Scheme
Format: DVD from Sycamore Public Library on gigantic television.

Wes Anderson is one of those directors whose films are immediately recognizable. I was trying to figure out exactly what it is in terms of his composition and characters that makes his film so distinctive and I’ve finally figured it out—it’s the title of this write-up. Everyone in Wes Anderson films is autistic. In his early films, it was only some of the characters, but now, everyone in his films has got a touch of the ‘tism, and they’ve all got the same variety. It wasn’t until I finished The Phoenician Scheme that I finally understood this.

The Phoenician Scheme is mid-level Wes Anderson, and I don’t like having to say that. I tend to like Wes Anderson films pretty well, although I can only take a bit of him at a time. Now that I’ve seen this, I probably won’t watch another of his films for six or seven months. When Anderson is good, he’s really good. When he’s off, even a bit, everything feels like it falls apart. The Phoenician Scheme just never feels like it gels in the way his films normally do. It might be simply because the characters here, almost to a person, are unlikeable.