Showing posts with label Allan Dwan. Show all posts
Showing posts with label Allan Dwan. Show all posts

Saturday, March 7, 2015

Island Hopping

Film: Sands of Iwo Jima
Format: Movies! Channel on rockin’ flatscreen.

There’s something unique about American war movies made in the years during and just after World War II. It’s not terribly surprising that the films of this era are patriotic to put it mildly. In truth, a lot of them are pretty jingoistic, and Sands of Iwo Jima leans this way. We are at least spared the indignity of watching hordes of non-Americans pretend that they want to be Americans, though, since we’re dealing strictly with the battlefield here, and strictly with the island hopping campaign in the Pacific.

A new group of marines is assigned to Sergeant John M. Stryker (John Wayne), a notorious hardass. Stryker spends the first portion of the film running his troops through a massive amount of training and beating them down heavily. All of the men object to this naturally, but two are particularly vocal in their objections. The first of these is Pfc Peter Conway (John Agar) who is in the unfortunate position of being the son of one of Stryker’s former commanders. Worse for Conway is that Stryker was a huge admirer of Conway’s late father, and in fact named his own son after the man. Conway wants to be nothing like his father and enlisted more out of a sense of tradition than anything else, knowing that this attitude will make him a constant disappointment to Stryker.

Sunday, July 14, 2013

Exhuming McCarthy

Film: Silver Lode
Format: DVD from NetFlix on laptop.

I thought I was done with Westerns until I discovered that Silver Lode was still on the list. As far as I know, this is the final Western film that I’m told I have to watch before I expire, and I think that’s probably a good thing. I don’t dislike Westerns, but I do get tired of them. Certainly there are some in the genre that are a little different or that go to interesting places, or that are Western only in setting, but this is a genre that gets stuck in the same loop more than most others.

That’s very much the case with Silver Lode, a film that was done a lot better a few years earlier when it was called High Noon. It’s not a direct rip-off, but there are enough similarities here that I can’t imagine that director Allan Dwan wasn’t influenced in many ways by the superior film. Only the details are different. In the first film, a highly-respected member of the town is called out on the day of his wedding by an old enemy and the townspeople refuse to help him. In Silver Lode, a highly-respected member of the town is arrested on his wedding day on a fake charge by an old enemy and the townspeople slowly turn against their former friend.