Showing posts with label Carl Reiner. Show all posts
Showing posts with label Carl Reiner. Show all posts

Wednesday, January 6, 2016

Unitarian YHWH

Film: Oh, God!
Format: HBO Go on rockin’ flatscreen.

When you are making a movie that has God as a character, it’s an important casting decision, and an easy one to screw up. Morgan Freeman, for instance, was an inspired decision. I’ve got to hand it to the makers of Oh, God! as well, because in 1977, I’m not sure there was a better choice to play the role of God than George Burns. Actually, the casting is really nicely done all the way around here, even if it seems strange at first blush in a few places.

Oh, God! is a high concept film. I love summarizing these because they’re so short and convenient in summary. God decides that the world needs to be made more aware of his presence, so he appears to the assistant manager of a grocery store in Tarzana, CA. It’s a pretty fun high concept, even for an apostate like me.

Saturday, December 22, 2012

The Thermos Song

Film: The Jerk
Format: DVD from personal collection on kick-ass portable DVD player.

When Steve Martin is good, he’s really, really good. He’s not someone who works well with bad material, though. Steve Martin’s bad movies are really, really bad, not even “so bad they’re good” bad. Ask anyone who’s seen Sgt. Bilko; they’re unwatchable. But with good material, Martin is a decent actor with great comic timing. He rises or sinks to the level of what is written for him. This makes The Jerk interesting.

The Jerk is Martin’s first major role, and his first film role in general excepting a part in the excremental Sgt. Pepper’s Lonely Hearts Club Band and a couple of moments in The Muppet Movie. It’s a dumb movie, filled with stupid humor where what is said or done is just off-kilter from what is expected. It works because Martin is funny and charming and it works at times in spite of itself. But mostly, it demonstrates that Martin is capable of being funny and silly and strange and endearing on film. It’s not really that much of a surprise, since a good deal of the script was written based on parts of Martin’s acclaimed stand-up act.