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Erin Brockovich
I think it’s kind of easy to dislike Julia Roberts sometimes. I mean, I think it’s easy to believe that she gets a lot of acting jobs because of her looks. While that may or may not be true (and probably is), it’s easy to forget that she can actually act. A film like Erin Brockovich, for which she won an Oscar, is a case in point. A more cynical viewer might well comment that she won for Brockovich’s characteristically foul mouth or because her cleavage is on display in virtually every scene. Again, that may or may not be true, but regardless, this is a good performance.
The film is the sort of biopic that’s been in vogue for quite some time. Rather than looking at a person’s entire life, the film instead focuses on the seminal moment of that life, the thing that truly defines it. We start with Brockovich (Julia Roberts) looking for work and being on the receiving end of a bad car accident. She hires Ed Masry (Albert Finney) to defend her. She loses the case primarily because of her own outburst on the stand. Desperate and unable to find work, she shows up in Masry’s office and demands a job. Feeling sorry for her, he complies, but offers no benefits.
