It’s no secret that there are Oscars awarded for performances that may not have earned them for careers that contained performances that did. How else to explain Paul Newman winning for The Color of Money? Well, he didn’t win for Hud and Cool Hand Luke and more than half a dozen other films. I’ve always sort of been under the impression that Al Pacino’s Oscar for Scent of a Woman was of the same variety. It’s caused me to dread the film a little.
This is, in fact, evidence of Pacino in over-the-top mode, but that’s not always a bad thing. Still, there’s that niggling feeling that the Academy realized he’d lost for Glengary Glen Ross, Dog Day Afternoon, The Godfather Part II and a few others and maybe it was time to give the man his due. Even for this role, which is Pacino writ as large as possible without becoming a complete caricature.

