Showing posts with label Matt Reeves. Show all posts
Showing posts with label Matt Reeves. Show all posts

Wednesday, August 24, 2022

Riddle Me This

Film: The Batman
Format: Blu-ray from DeKalb Public Library on rockin’ flatscreen.

In 1989, my girlfriend and I went to see Batman on opening night. Sixteen years later, I saw Batman Begins. Now, another 17 years later, I am watching yet another iteration of the Caped Crusader, The Batman. Leaving out the animated versions of the character, in the course of my lifetime, the character of Bruce Wayne/Batman has been played by Adam West, Michael Keaton (my favorite Bruce Wayne), Val Kilmer, George Clooney, Ben Affleck, and now Robert Pattinson, and this is only the guys who have played the role in movies. This movie is also close to three hours long, and I really had to consider whether or not I wanted to subject myself this once again. How many times do I need to see this origin story? How many times do I need to watch Thomas and Martha Wayne get shot?

The other thing is that this is yet again a “dark and gritty” reboot of the franchise. Tim Burton did that originally, and while Keaton’s Batman had a touch of camp, it was a darker, more Gothic world that eventually reverted to camp thanks to Joel Schumacher. Nolan gave us a new, revamped dark and gritty Dark Knight series. And once again, we’re going dark and gritty with this one. But with all of this, there’s a great deal here to recommend this latest incarnation.

Wednesday, April 10, 2019

Wednesday Horror: Let Me In

Film: Let Me In
Format: DVD from Cortland Public Library on The New Portable.

A movie like Let Me In puts me in a very difficult position as a reviewer/critic and as a movie fan. The original version of this movie, Lat den Ratte Komma in has been regularly (and rightfully) hailed as one of the great horror movies of the current century and one of the better takes on the vampire myth in general. The problem with it in the eyes of American film companies is that it wasn’t an American movie. Watching it meant dubbing or reading subtitles while listening to the original Swedish, and what sort of American wants to do that? And so, a mere two years later, Let Me In, a version of the movie that appears to change only the names of the characters and the location of the story, was produced.

Here’s the quandary: Let Me In is a good movie. It genuinely is. It’s well cast and acted throughout. The story is a good one that has seemed to survive its translation from the Swedish into English without much loss. Kodi Smit-McPhee is a great choice for the bullied young boy (he looks like a professional victim), and this also features Chloe Grace Moretz early in her career. There’s also a good role for Richard Jenkins, who is a damn fine actor. And yet I still feel like this has the scent of reheated leftovers in a large way.

Wednesday, March 21, 2018

Wednesday Horror: Cloverfield

Film: Cloverfield
Format: DVD from Sycamore Public Library on The New Portable.

Life is short, so I really try to focus on watching movies I’ve never seen before as much as I can. Sure, I rewatch some, but I really do try to watch things that are new to me when I can. Some of my rewatches are to have something on in the background while I work. Some are because I have a desire to revisit a movie I like. Some, like Cloverfield, I rewatch for this blog. I didn’t love Cloverfield when I watched it the first time, but I didn’t hate it either. That said, it’s not like I was aching to see it again.

What I find interesting is that Cloverfield has spawned an odd collection of…not really sequels, but sort of related films. Cloverfield is a found-footage kaiju-style movie in which a huge monster attacks New York as in the best of the Japanese giant monster movies. 10 Cloverfield Lane, released a few years later, is related to the first film in that they seem to take place in the same world, but the style is completely different. A third film, The Cloverfield Paradox is just out this year; I haven’t seen it yet, but I assume that once again it will be mildly related to the original film without really being anything like it.