Showing posts with label Richard Attenborough. Show all posts
Showing posts with label Richard Attenborough. Show all posts

Wednesday, April 29, 2020

Hey, Dummy!

Film: Magic
Format: DVD from personal collection on basement television.

When Magic was released in 1978, I had just turned 11. This is important only in the sense that I remember the trailer. It’s one of the few trailers I can actually remember (along with Suspiria) because it’s one of the great minimalist trailers in horror movie history. In fact, the original trailer was pulled from broadcast because parents complained about how scary it was. I have to admit that it made an impression on me.

If you watch that trailer, you’ll get at least half of the point of the movie, provided you think about if for just a second. Seriously, watch the trailer. If you can’t figure out at least the main thrust of the plot from that, you don’t get to read any further.

Tuesday, June 21, 2016

British Bulldog

Films: Young Winston
Format: Streaming video from TCM Watch on laptop.

I literally have a stack of unwatched movies sitting next to me, but instead of watching one of those, including a few that I’ve really been looking forward to seeing and at least one that has been sitting in its NetFlix envelope for more than a week, I’ve instead decided to watch Young Winston on TCM’s app because I missed recording it on the DVR and it vanishes in 24 hours. I make sacrifices for this blog sometimes. As the name of the film might suggest, Young Winston is about the early life of Winston Churchill, based on his own memoirs.

With a film like one, I think a certain grain of salt. I don’t doubt that Young Winston is an accurate depiction of Churchill’s book. I question instead just how accurate Churchill’s memoirs are. There is almost certainly a bit of rose-colored glasses with this, and almost certainly a bit of hyperbole in places. I don’t know, of course, but I do suspect. I get this mostly from the voiceover that hangs over many scenes. The words paint a picture of character and dignity, while the reality we see is quite a bit more dismal.

Sunday, April 10, 2016

Tramping Around

Film: Chaplin: The Movie
Format: Streaming video from NetFlix on The Nook.

Robert Downey, Jr. is on top of the world right now, but this wasn’t always the case. The man had some dark years, which is what made him the perfect casting for Tony Stark—a likeable rogue with a seriously checkered and dark past. There was evidence early in his career that the man had serious talent. Exhibit A is Chaplin: The Movie (normally just called Chaplin). Downey plays the film star from the beginning of his career to his honorary Oscar in 1972, through all of the personal and professional trials that the man endured.

Downey plays Chaplin himself and is joined by a solid cast including Kevin Kline as Douglas Fairbanks, Anthony Hopkins as the fictional George Hayden going over Chaplin’s autobiography with him, Dan Aykroyd as early comedy director Mack Sennett, Kevin Dunn as J. Edgar Hoover, Paul Rhys as Chaplin’s half-brother Sydney, Diane Lane as Paulette Goddard, David Duchovny as Chaplin’s cameraman Roland Totheroh, Penelope Ann Miller as Edna Purviance (one of Chaplin’s early co-stars), and Moira Kelly as both Chaplin’s first love Hetty Kelly and his fourth and final wife Oona O’Neill. This leaves out brief appearances by Marissa Tomei, Geraldine Chaplin, Nancy Travis, Milla Jovovich, and James Woods.

Monday, February 29, 2016

I Know What I LIke (in Your Wardrobe)

Film: Shadowlands
Format: Internet video on The Nook.

Like many from several different generations, I grew up reading, among other things, the Narnia books by C.S. Lewis. I didn’t get a lot of the religious imagery when I was a kid, and then re-reading them as an adult, I kind of wonder how I missed it, since Lewis applied his symbolism not with a brush, but with a trowel. Still, it’s hard for me not to claim that the books were formative for me in many ways. Despite being a heathen these days, I still love them. This is despite the fact that it’s easy to forget that the actual battles are only a page or two long and the bulk of the books is actually British kids walking around a countryside hoping that they get someplace with sandwiches.

It’s also worth mentioning that most colleges have a rare books collection. For instance, my alma mater has, among other things, a collection of dime novels and the papers of H.P. Lovecraft, which is damn cool. Wheaton College, in the town where I grew up, has a C.S. Lewis collection and even has his wardrobe, which I’ve seen. So I admit that while I expected (and got) a decent slice of religion from Shadowlands, which is about Lewis’s marriage, I was also pretty interested.

Saturday, June 9, 2012

Peaceful Warrior

Film: Gandhi
Format: Streaming video from NetFlix on rockin’ flatscreen.

Roger Ebert classifies a particular set of films as “Gandhi” films. What he means by this is a film that you are happy to have seen, but that you never wish to see again. I can think of several films that fit that qualification for me--Requiem for a Dream, American History X, and a few others. Oddly, though, Gandhi doesn’t fit in that category. It’s been years since I watched it until today. I’d watch it again in the future, but it will be some time before I find the need or desire to see it again.

As the name of the film suggests, this is a biopic of the life of Mohandas K. “Mahatma” Gandhi, the central figure in India’s push for home rule and independence from the British Empire. It is not a complete biopic, of course. It starts with Gandhi’s time in South Africa, figuring (correctly) that the audience is less interested in the formative years of Gandhi’s life and more interested in the formative years of his philosophy. Gandhi (played by Ben Kingsley) discovers that South Africa is brimming with racism, not just against the Africans, but against anyone who isn’t white. In what will become a theme for the entire 190-minute running time of the film, Gandhi fights against this oppression without raising his hand against it.