Showing posts with label The Dead. Show all posts
Showing posts with label The Dead. Show all posts

Sunday, July 12, 2020

Really Dark Continent

Film: The Dead (2010)
Format: Streaming video from Tubi TV on the new internet machine.

I like zombie movies a great deal. I tend to like slow zombies more than fast zombies (I’m a traditionalist in that sense). The problem with zombie movies is that they all tend to be pretty much the same. I went into The Dead (the zombie movie from 2010, not the movie of the same named based on a James Joyce story and starring Anjelica Huston) with hopes that I’d get something at least a little different. What I got was a few unique aspects and one part that was depressingly the same as most movies in the subgenre.

The Dead starts with two events. The first is an attack on a small West African village by the walking dead, who are ghouls in the traditional Romero sense. This means they are slow moving, eat the entire body, spread infection if someone isn’t devoured quickly enough, and are themselves killed by a shot to the head. We also get a scene on an airplane fleeing the area. Since someone dies on the plane and immediately turns, we get a sense of just how fast someone becomes a zombie in this world (which also indicates that man a person will end up turning rather than being wholly devoured). The plane eventually crashes.

Monday, August 26, 2013

Huston, We Don't Have a Problem

Film: The Dead; Prizzi's Honor
Format: Streaming video from NetFlix (The Dead) and DVD from personal collection (Prizzi’s Honor) on laptop.

I think John Huston can be forgiven for the evident nepotism of frequently casting his daughter Anjelica Huston in many of his later films. I mean, we’re talking about Anjelica Huston here, not someone talentless and not worthy of mention. He can also be forgiven for putting her in one of the lead roles in his final film, The Dead, based on the final story in James Joyce’s Dubliners. This is one of the singularly most Irish films I have ever seen. Not only is the story one of fine Irish heritage, it is also an all-Irish cast, with the exception of Anjelica Huston herself, and she was at least partly raised in Ireland.

The bulk of the story takes place at a party in Dublin at the beginning of 1904, a party evidently there to celebrate the Epiphany, the revelation of Christ as the son of God shortly after his birth. That’s not a mistake, since the film itself is about the lower-case epiphany of one of its characters.