Showing posts with label Tom McCarthy. Show all posts
Showing posts with label Tom McCarthy. Show all posts

Wednesday, April 27, 2016

Connection

Film: The Visitor
Format: Streaming video from Hoopla Digital on The Nook.

In a real way, all drama is personal. The biggest science fiction action movie or war film, boiled down to its core essence, is a personal drama. A film like The Visitor strips all of that away and gives us just that focus on the small drama, the personal moments that make up a life. We start with perhaps the most disconnected person in recent years, someone who is living in the world but not a part of the world, and through the story of the film, reconnect him back with a world that is real and vibrant. Real life is hard and The Visitor doesn’t shy away from this. Being disconnected is safe but lonely and boring. Connection brings life and vibrancy and joy, but it also brings pain, loss, and disappointment.

Walter Vale (Richard Jenkins) is a professor of economics who is completely detached from everything around him. He goes through the motions, connecting with no one. We slowly learn that he lives alone because his wife, a concert pianist, has died. He tries to connect to her by taking piano lessons, but is constantly dissatisfied with both himself and his series of teachers. To everything else, Walter is not really a participant but an observer. He teaches only one class and can barely be bothered to teach it. One of his students complains that he still hasn’t handed out the syllabus.

Tuesday, April 12, 2016

This is the Church, this is the Steeple

Film: Spotlight
Format: DVD from NetFlix on rockin’ flatscreen.

I met my wife working on a college newspaper. I worked as an occasional reporter and regular music critic; she was one of the editors. Neither of us are really in journalism anymore—this blog is about as close as I come to anything like journalism and this really isn’t anything like journalism. There was a golden age of journalism and we’re not in it anymore. Great journalists are important, though. They can change the world by revealing painful and ugly but important truths. Spotlight is a reminder of this.

Spotlight has only one major problem to overcome. Like many stories about important historical events, the ending here is not in question. Anyone who pays even a little bit of attention to the world knows how this comes out. It takes good writing, careful direction, and compelling performances to keep the audience interested. It’s a good thing, then, that Spotlight qualifies on all fronts.