Showing posts with label Village of the Damned. Show all posts
Showing posts with label Village of the Damned. Show all posts

Friday, June 11, 2021

Darned, Maybe

Film: Village of the Damned (1995)
Format: DVD from Lasalle Public Library through interlibrary loan on the new portable.

Of the horror directors whose surame start with C, John Carpenter clearly has the highest highs. I love Wes Craven dearly, but it’s hard to compete with The Thing and Halloween. Carpenter probably has the lowest lows, though, as films like Ghosts of Mars and Escape from L.A. will attest. His 1995 remake of Village of the Damned (sometimes referred to with his name before the title as John Carpenter’s Village of the Damned) falls between those two extremes. Sad to say, it’s very much on the lower end. Village of the Damned was certainly due for an update (and probably is again), but this wasn’t the update that was needed, fleshed out from the original as it is. The hope that Carpenter could find lightening in a bottle a second time with a remake was unwarranted, sadly.

As it happens, this is also the final theatrical release featuring Christopher Reeve before the accident that left him paralyzed. Reeve struggled a bit with typecasting after his stint as the Man of Steel, so this movie may well have been a further effort on his part to step away from that image.

Wednesday, August 8, 2012

Off Script: Village of the Damned

Film: Village of the Damned
Format: DVD from Peru Public Library on kick-ass portable DVD player.

I like a good horror movie, and the ones I tend to appreciate more than others are the ones that don’t go the full monty and show everything. Cerebral horror is hard to do well, so when it is, I tend to be very happy. Films like The Haunting are the type that (my opinion) scare smart people. Someone has to be willing to buy into the premise enough to actually think through implications and things that have only been hinted at. As I said, it’s difficult to do well.

The original Village of the Damned is a film that manages to keep things in the realm of the creepy without getting too terribly scary. The film is unnerving in many places, working on ideas of late 1950s and early 1960s paranoia, fears of science and invasion, and a host of disturbing children, and you’ve got something that, while not scary, is certainly thought-provoking and disquieting.