Tuesday, January 31, 2017

Honest Abe

Film: Abe Lincoln in Illinois
Format: Turner Classic Movies on rockin’ flatscreen.

One of the nicknames for Illinois is The Land of Lincoln. Abe Lincoln wasn’t born in Illinois, of course, but he lived here for a long time, and for most people, he’s considered as someone from the state. In terms of presidential birthplaces, we get only Ronald Reagan. Still, you don’t live in Illinois as a schoolchild and not hear a lot about Lincoln. I’ve had Abe Lincoln in Illinois on the DVR for a long time; today seemed as good a day as any to watch it.

This is presented as a biography of some years in Lincoln’s life. Essentially it goes from his early days as an adult to the point where he was first elected president. We don’t get his childhood and we don’t get the Civil War. It’s more about the making of the man who would become president than it is about anything else. It’s also not a straight biography. Oh, I don’t doubt that the information included here isn’t mainly factual. It is a very forgiving look at the 16th president, though, which makes sense for 1940.

Sunday, January 29, 2017

Secret Life

Film: A History of Violence
Format: DVD from personal collection on rockin’ flatscreen.

I don’t remember how I got my copy of A History of Violence. It was probably from a closing Blockbuster or something similar, though, which means I bought it for cheap because I didn’t own it and heard it was worth seeing. I’m also not sure why I’ve never gotten around to it before now. I think it’s because I often don’t look to my collection for this blog because I know I can watch those whenever I want, and I don’t know that I’ll always have access to other films. But I like David Cronenberg as a director and I like a lot of the cast, so I went into this with high hopes.

Tom Stall (Viggo Mortensen) is an average husband and father living in small town Indiana. Tom runs a local diner and helps his wife Edie (Maria Bello) take care of their kids Jack (Ashton Holmes) and young Sarah (Heidi Hayes). Life seems pretty normal for them, despite Jack having a bully problem in high school. The family is generally happy and things are fine. That is until one day a couple of strangers walk into the diner. These men, Leland (Stephen McHattie) and Billy (Greg Bryk) intend to rob the diner, and based on the short scene at the start of the film, kill everyone inside. Little do they know that Tom Stall has some skills. He smashes one in the face with a coffee pot, comes up with the gun and shoots them both down despite being stabbed through the foot at one point.

Saturday, January 28, 2017

Let's Play a Game

Film: Life is Beautiful (La Vita e Bella))
Format: DVD from NetFlix on rockin’ flatscreen.

I’m fairly certain that I’m not at the end of Holocaust stories, but watching Life is Beautiful (La vita e bella) puts me one step closer. This is one that I’ve seen before—I saw it in the theater when it was originally released, if I remember correctly. It’s not one that I looked forward to seeing again. I find this a difficult film to describe. This is purely a film about the Holocaust, and yet it’s also in many ways a comedy. Director and star Roberto Begnini created a film that doesn’t attempt to hide the horrors of that period in history and doesn’t make light of it, but does attempt to create a story of love and magic within that context. It’s almost impossible to explain.

The first part of the film has virtually nothing to do with the Holocaust except at the fringes. Instead, it’s essentially a screwball romance. In Italy in the 1930s, Guido Orefice (Begnini) arrives in an unnamed Italian city to work for his uncle’s restaurant and possibly open a bookstore. He and his friend Ferruccio (Sergio Bini Bustric) look for work. Most importantly for Guido, he has a chance meeting with Dora (Nicoletta Braschi), and immediately falls in love with her. He arranges a series of meetings for the two of them, and before we know it, Guido and Dora are married and have a young son named Joshua (Giorgio Cantarini).

Wednesday, January 25, 2017

Wednesday Horror: Apt Pupil

Film: Apt Pupil
Format: DVD from Homer Township Public Library through interlibrary loan on rockin’ flatscreen.

Stephen King’s novella collection “Different Seasons” contains four stories, three of which have been turned into films. The first story is “Rita Hayworth and the Shawshank Redemption,” which was turned into The Shawshank Redemption, a film that lives on IMDB’s top-250 in the top position with good reason. The second is called “The Body,” which was turned into Stand By Me, also on IMDB’s top-250. The third is Apt Pupil, clearly the least of the three and the only one to keep the name of the original story. However, that’s not saying a lot when the movies its being compared to are as highly regarded as they are. Additionally, one wonders about the fate of the fourth story, “The Sun Dog,” about a demonic creature trapped inside a Polaroid camera.

In many ways, Apt Pupil is one of King’s darkest and most disturbing stories. Much of that is because it deals with fascism overtly, but also because it’s entirely believable. There’s no supernatural here; there’s just evil. The high concept is that a straight-A high school student named Todd Bowden (Brad Renfro) becomes fascinated by his history class’s lessons on the Holocaust. He studies it on his own and discovers that his neighbor Arthur Denker (Ian McKellen) is actually Kurt Dussander, a notorious concentration camp leader currently wanted by the Israelis for war crimes. Rather than turning Dussander in, Todd starts visiting him every day after school to hear about the atrocities that he committed.

Tuesday, January 24, 2017

Singin' in the Pain

Film: With a Song in My Heart
Format: DVD from Mokena Community Public Library through interlibrary loan on rockin’ flatscreen.

Unlike when I watched Goodbye, Mr. Chips a few days ago, I knew going into With a Song in My Heart that there would be a great deal of singing. This is, after all, the story of singer Jane Froman. Like many a film of this sort, we start at the end, with Jane being given an award for her tremendous courage. Courage? For a singer? Well, for that we’ll need to dive into the movie itself, won’t we?

Jane Froman (Susan Hayward) starts out life as a young woman studying singing and looking for a job on the radio. She manages to get an audition, but when she goes in, she encounters not the man she expected but Don Ross (David Wayne), who doesn’t tell her that he’s just failed an audition. She sings, the real manager for the station hears her and he hires her on the spot. Jane is a real talent (the singing in the film is voiced by the real Jane Froman, after all) and is soon skyrocketed into a real career. Don becomes her manager and lives on her coattails, working as a smaller warm-up act in many of her shows and managing her professional life. Eventually, the two decide to get married despite the fact that Jane doesn’t really love him. It’s more a marriage of convenience for her career than anything else.