Showing posts with label James Wan. Show all posts
Showing posts with label James Wan. Show all posts

Wednesday, October 28, 2020

Ten Days of Terror!: Insidious

Films: Insidious
Format: DVD from Cortland Public Library on basement television.

I think James Wan is underrated as a horror director. While I don’t love all of his movies, he does have a particular style that genuinely works. Insidious is a good movie if not a great one, but there are moments that Wan demonstrates that he is really good at what he does. In fact, one of the better jump scares in the film comes entirely from the way Wan directs the scene, getting the audience comfortable before dropping the hammer.

The problem is that at times it seems like he’s wasting his talent directing movies like Insidious. It’s actually a decent enough film for what it is. The problem is that it’s also a movie that very clearly telegraphs the story it wants to tell. This is not an original story despite being an original screenplay. If you’ve seen a haunted house or possession movie, you’ve seen Insidious.

Thursday, October 22, 2020

Ten Days of Terror!: The Conjuring 2

Film: The Conjuring 2
Format: DVD from Sycamore Public Library on The New Portable.

So what do I think about The Conjuring 2? Movies like this put me in a very interesting and uncomfortable position. The truth is that I liked The Conjuring well enough, and I liked The Conjuring 2 as well. These are hard movies to dislike, to be honest. I enjoy that they feel very much like slices out of the lives of the Warren family. There are things that happen in the movie that aren’t really tied to the plot in any way, but that help create the characters, or that eventually build up in to other movies. The Annabelle movies all came from a prop used in the first film, and the recent The Nun comes from something that plays a part in this one.

So, I like the world building a great deal. I like Patrick Wilson and Vera Farmiga in their respective roles as Ed and Lorraine Warren. But here’s the thing: I am of the opinion that the Warrens are very advanced grifters who pulled a series of hoaxes on the world and made their living from it. I know this is not the most popular opinion, but when I see the notation at the start of the film that this is “based on a true story,” I can’t help my eyes from rolling.

Sunday, April 19, 2020

"Based on a True Story"

Film: The Conjuring
Format: DVD from Cortland Public Library on The New Portable.

Say what you will about The Conjuring, the producers and director James Wan made something that is terrifying for people of a particular mindset. The story behind the production is that this was handed an R-rating by the MPAA immediately. When asked what could be done to bring the rating down to PG-13, they were told that there was nothing they could do. The film is simply too scary to ever be rated PG-13. There’s no gore, no real violence, not much language, and no nudity. It’s just too scary to be seen by kids without supervision.

So is that really the case? It kind of is. There are some supremely scary moments in The Conjuring, and I appreciate that a great deal. The problem for me is that so much of what makes this movie scary for many people is completely lost on me. The claim is that this story is based on the case files of Ed and Lorraine Warren, a pair of paranormal investigators who have claimed to be involved in real hauntings. Well, that’s fine, but I don’t buy into the supernatural. I don’t doubt that they’ve had some interesting experiences, but for me, things like demonic possession and the like is about as real as pixies and leprechauns. When you don’t have that basic belief, a great deal of the impact of this story is lost.

Wednesday, April 3, 2019

Wednesday Horror: Dead Silence

Film: Dead Silence
Format: DVD from Cortland Public Library on The New Portable.

There’s something unsettling about dolls. I think it’s the eyes. Because of this, dolls are a natural choice for horror movies. Dead Silence plays off that idea, upping the ante slightly by using not simply dolls but ventriloquist dummies. Since these are a step further into the uncanny valley—articulated jaws, movable eyes, etc.—they’re just that one more step creepier. Make them capable of moving on their own or being possessed and you’ve got a premise for a pretty standard horror movie with potential for some good scares.

We’re going to start with a scare, of course. Jamie (Ryan Kwanten) and Lisa Ashen (Laura Regan) receive an anonymous package one day. It turns out to be a ventriloquist dummy named Billy. Jamie goes out for take-out Chinese and Lisa plans a joke on her husband. But, of course, she’s attacked, and when Jamie returns home, he finds his wife dead with her tongue missing. Jamie, of course, is the main suspect, but police detective Jim Lipton (Donnie Wahlberg) doesn’t have enough evidence to hold him.

Thursday, November 16, 2017

Off Script: Saw

Film: Saw
Format: DVD from Sycamore Public Library on laptop.

I’m probably one of the last horror fans to watch Saw. Out of respect to those reading this, I’ll get all of the puns out of the way. Before this, I hadn’t seen Saw, but now I have seen Saw. Yes, I saw Saw. The next time I see Saw it will be the second time I’ve seen Saw. If someone asks me if I’d like to see Saw I can say that I saw Saw. Sorry for that.

The chances are very good that you’ve already seen this, which means I don’t need a great deal of plot breakdown. I’ll make this quick, something aided greatly by the fact that Saw doesn’t have a huge plot. Two men, photographer Adam (Leigh Whannell) and surgeon Dr. Lawrence Gordon (Cary Elwes) wake up in a large, filthy bathroom. They are each chained by an ankle to a pipe on opposite sides of the room. Between them is a corpse holding a microcassette recorder and a pistol.