Monday, January 13, 2020
Oscar Got It Wrong!: Best Adapted Screenplay 1942
49th Parallel
Mrs. Miniver (winner)
The Pride of the Yankees
Random Harvest
The Talk of the Town
Friday, October 11, 2019
Monday, May 6, 2019
Oscar Got It Wrong!: Best Picture 1942
49th Parallel
Kings Row
The Magnificent Ambersons
Mrs. Miniver (winner)
The Pied Piper
The Pride of the Yankees
Random Harvest
Talk of the Town
Wake Island
Yankee Doodle Dandy
Monday, January 7, 2019
Tuesday, June 7, 2016
Iron Horse
Format: DVD from Sycamore Public Library on rockin’ flatscreen.
Every so often, an actor or a director has a year for the ages. Consider Victor Fleming’s 1939 when he made both Gone with the Wind and The Wizard of Oz. Teresa Wright had that sort of 1942. Wright was nominated for Best Actress in The Pride of the Yankees, but lost to Greer Garson. As it happens, Wright was also in Mrs. Miniver and won and Oscar for Best Supporting Actress for that role. Like a said, she had a good year. The Pride of the Yankees is one of those all-American films, one that can probably be appreciated by many, but can really only be fully understood by people who have grown up in a culture where baseball has truly permeated society.
The Pride of the Yankees might be a warts-removed biography of Lou Gehrig, but that really doesn’t bother me at all. It’s an exercise in myth making and hero creation, and that’s really what it should be. This is a film about a genuine American sports hero, a man who truly crafted a legend for himself, and with the world suddenly at war, the American people needed heroes. They needed to be reminded of courage, honor, and greatness. The Pride of the Yankees might have removed a couple of warts, but do we really need this hero tarnished? The other thing is this—from all reports, Gehrig is the nice guy depicted here.