Format: Streaming video from Amazon Prime on Fire!
I wasn’t entirely sure what to expect when I loaded up The Spine of Night today, but whatever my expectations were, they weren’t what I got. I don’t know if there’s a clear way to describe this except to suggest that it is as close as possible to a sequel to Heavy Metal as you can get without actually being a sequel. It feels exactly like a much more violent version of the Tarna story at the end of the film. If you’ve seen Heavy Metal, you know exactly how violent the final story is, and it’s not a patch on what happens in The Spine of Night.
There’s a lot here that reminds me of Heavy Metal starting with the rotoscoped animation. Traditional rotoscoping runs at 12 frames/second, so it always looks a little jittery. It also, while it tells a specific story, feels episodic in nature. We start with Tzod (Lucy Lawless), a new swamp priestess climbing up huge mountain to find a man called the Guardian (Richard E. Grant). She confronts the Guardian about a magical plant called the Bloom, one that he is sworn to protect, but she reveals that she has the same flower.