Friday, January 30, 2026
Oscar Got It Wrong!: Best Actor 2024
Sebastian Stan: The Apprentice
Adrien Brody: The Brutalist (winner)
Timothée Chalamet: A Complete Unknown
Ralph Fiennes: Conclave
Colman Domingo: Sing Sing
Thursday, January 29, 2026
Not That Kind of Bone
Format: Streaming video from NetFlix on various players.
When I saw that there was a movie called Bone Lake, I did immediately think that it was going to be a porn parody. Perhaps of Swan Lake? It’s not, of course, but that name is certainly sounds more like erotic thriller (in a crude way) than the horror movie it is. To be fair, it is equal parts horror and erotic thriller, so the name is doing double duty. “Bone” in this case is both the actual physical bones of victims as well as the more prurient use of the word as a verb. This fact is even lampshaded in the trailer.
What is interesting to me about Bone Lake initially is that the premise is one that is obvious. There’s a twist moment here that, if you don’t see it coming, you need to get off your phone and actually watch the movie. That first twist is followed by a second one that lands solidly. It’s not one that is necessary for the movie to work, but it comes as a surprise, and it genuinely does raise the film a bit in my estimation at least.
Monday, January 26, 2026
Herbert West Returns
Format: Streaming video from Tubi TV on Fire!
For horror fans, the first time you see Re-Animator is one of those pivotal moments. It either solidifies exactly why you are a horror fan or you start to question your decisions. Needless to say, as a horror fan, it’s a film that I genuinely love. It’s disgusting, disturbing, transgressive, and funny. It’s clearly a horror film that is happy to have comedic moments without really being a horror comedy. So it’s not surprising that there’s actually a Re-Animator trilogy. Most people know Bride of Re-Animator (the natural name for a sequel to a Frankenstein-esque story), but Beyond Re-Animator is far less known.
Sadly, that’s probably for a good reason. Of the three movies in the series, this is clearly the least of the three, and not merely because it’s the third film in the trilogy, which is traditionally where a series tanks. The issue here is that it deviates from some of the established rules of the franchise.
Friday, January 23, 2026
Wednesday, January 21, 2026
Stay Tuned!
Format: Streaming video from Paramount on Fire!
I don’t pay a lot of attention to new releases, although I do pay a little attention to them. In 2025, of all of the coming movies, the two I was the most excited about were The Long Walk and The Running Man, both based on books written by Stephen King under his pseudonym, Richard Bachman. The Long Walk made some clear changes to the book, but it kept the story generally the same, and it was generally a successful adaptation. But I was just as excited for The Running Man, which looked to be a legitimately accurate adaptation of the original book.
I need to stress this, because when I mention the book The Running Man, people get visions of Arnold Schwartzenegger and Richard Dawson. It’s a fun movie, but it’s not anything like the original story, which was transgressive, dystopian, and sweeping in a way that the first movie couldn’t approach. But sadly, The Running Man was getting lackluster reviews and didn’t stay in theaters long enough for me to see it there. I’ve seen it now, and there is a problem at the heart of it. To talk about it, though, we need to put this whole thing under a spoiler tag for both the movie and the original Bachman/King book. Consider yourself warned.
Sunday, January 18, 2026
Deadbeat Dad
Format: Streaming video from NetFlix on various players.
I am not shy about my love of the work of Guillermo del Toro on this blog. I don’t often go to the theater, but Frankenstein is the first live-action del Toro film in a bit that I haven’t seen on its release. GdT has a reputation of loving his monsters. He’s also someone who, if you go through his films carefully, always makes humans worse than the monsters he shows us (or makes the standard vampires worse than the mutant vampires in Blade II). This is a running theme for him, so Frankenstein was an inevitability.
The running wisdom of the original Mary Shelley novel is that smart people realize that Frankenstein is the doctor, not the monster; wise people realize that Dr. Frankenstein is the monster. Del Toro is going to stay true to this. Victor Frankenstein (Oscar Isaac) is absolutely the villain of this story, while the creature (Jacob Elordi), while monstrous in appearance and sometimes in action, is clearly being depicted as an innocent.
Friday, January 16, 2026
Thursday, January 15, 2026
Jane's Addiction Approves
Format: Streaming video from NetFlix on gigantic television.
Long-time readers of this blog will know of my constant enjoyment of film noir, including neo-noir. I also tend to like Darren Aronofsky, although he is frequently hit-or-miss. Aronofsky doing noir has a lot of potential, so Caught Stealing is a film that certainly had a great deal of potential. I feel the same way about Austin Butler. I haven’t made my mind up about him completely as an actor, although he certainly has the look. Say what you will about him, he’s certainly pretty.
Caught Stealing takes place a couple of years before the turn of the last century in New York. Former baseball standout, San Francisco Giants fan, and dive bar bartender Hank Thompson (Butler) has his life not so much together as built the way he wants it. He works at night, drinks too much, and spends his nights after work with his nurse girlfriend Yvonne (Zoë Kravitz). Everything is fine until his British punk neighbor Russ (Matt Smith) asks him to take care of his cat while he goes back to London to visit his ailing father.
Friday, January 9, 2026
Thursday, January 8, 2026
Bad Bunny
Format: DVD from Sycamore Public Library on gigantic television.
There are times when, to follow a movie where it wants to go, you have to give in to some ridiculous premises. Caveat is a movie like that. There’s going to be a moment early in the film that beggars one’s ability to willingly suspend disbelief. If you can manage to deal with the fact that the movie demands that you accept something completely ridiculous, you’re in for some good scares and an interesting concept.
Isaac (Johnny French) is a man with significant amnesia and no real direction. This makes him the perfect person for a job from his landlord, Moe Barrett (Ben Caplan). Barrett has a niece named Olga (Leila Sykes) who suffers from bouts of catatonia and lives by herself in an isolated house. Barrett wants Isaac to go and stay with her for a couple of days. Essentially, if she is left on her own for too long, something bad can happen to her, because she can zone out for long periods of time. Isaac agrees to the job, especially because he’s going to earn £200 per day.
Wednesday, January 7, 2026
I Think the Stripper Likes Me
Format: Streaming video from Hulu Plus on Fire!
My goal was to get through my set of Oscar films by the end of the year and to save the Best Picture winner, Anora, for last. I did save it for last, but circumstances prevented me from getting it watched until tonight. There was a part of me that didn’t really want to watch it (although I was far less enthused about The Apprentice). There are only a couple of ways for this story to go, and really only one interesting one, and on the surface, the characters didn’t appeal to me at all.
To give the elevator pitch, Anora is a far more realistic version of Pretty Woman. Exotic dancer/escort Anora “Ani” Mikheeva (Mikey Madison) dances at a club and for a fee frequently has sex with her clients. One night, a customer named Vanya (Mark Eydelshteyn) wants someone who will speak Russian with him, and Anora gets tapped. Vanya is in New York City from Russia alleged for school, but he spends most of his time playing video games and partying. How can he afford this? His father is a Russian oligarch and a billionaire.






