Format: Internet video on the new internet machine.
If you were ever a D&D player, you know a little bit about golems. One of the things that you probably know about them is they are prone to go out of control from time to time. This is especially true of the clay variety, the sort built by clerics. What you may not know is that a lot of this is a mythology that comes from the 1920 silent movie The Golem: How He Came into the World (or Der Golem: Wie Er in die Welt Kam if you prefer the original German). The fact that the clay creature is created by a priest and control is lost comes straight from this film.
Well…rabbi rather than priest. The title creature is built as a protection for the Jewish people in medieval Prague. The Jews, of course, are being subjected to pogroms and attacks, and have been recently commanded to leave the city by the Holy Roman Emperor. A knight named Florian (Lothar Muthel) is sent to deliver the news to the Jewish people, and specifically to Rabbi Loew (Albert Steinruck), who has predicted disaster for his people. However, Florian finds himself attracted to Miriam (Lyda Salmonova), Loew’s daughter, who is also the object of affection for Loew’s assistant (Ernst Deutsch).