Monday, March 27, 2017
Oscar Got It Wrong!: Best Adapted Screenplay 1993
The Age of Innocence
In the Name of the Father
The Remains of the Day
Schindler’s List (winner)
Shadowlands
Thursday, July 25, 2013
Fables of the Reconstruction
Format: DVD from Schmaling Memorial Library through interlibrary loan on rockin’ flatscreen.
I can’t know what was going on in Martin Scorsese’s mind when it came to directing The Age of Innocence, based on a novel by Edith Wharton. I imagine, though, that his decision was made in part as a way to earn something like greater credibility. He certainly had a good deal of credibility before 1993, but it would be easy to pigeonhole his career as a director who made a very specific type of film. Even in his non-gangster pictures, many of his characters act like gangsters. The Age of Innocence is a complete break with the sort of films Scoresese was known for. I wonder what others thought when he was working on it. Would it come out as a Reconstruction Era Taxi Driver?
It didn’t, of course. The Age of Innocence is, as far as I can tell, faithful to Wharton’s novel. If Scorsese was looking for respect, or wanted to offer proof that his skill as a director wasn’t limited to people trying to kill each other and criminal acts, this was the perfect vehicle him.
