Friday, July 3, 2020
Tuesday, February 25, 2020
Monday, December 24, 2018
Sunday, September 17, 2017
Little, Chiron, Black
Format: DVD from Sycamore Public Library on laptop.
Every year in January, the Oscar nominations are announced, and that means I need to get to work on knocking out the films that have been nominated on the blog here. I typically put some stress on Best Picture nominations because there are more of them than there are for the other categories, and because knocking out Best Picture nominees means that I’m usually reducing the numbers in other categories as well. I often watch the Best Picture winner soon after the awards, because there’s generally that brief span of time where I’m missing having viewed a single Best Picture winner. This year, I did the opposite, waiting to watch Moonlight last of the nominees.
I knew very little going in other than that it won. I knew it was the first LGBTQ-themed film to win Best Picture, or at least the first that had overt homosexual themes (you could argue, for instance, Midnight Cowboy had some leanings in that direction). I knew it was based on an unproduced play called “In Moonlight Black Boys Look Blue.” And I’d heard that Mahershala Ali was great, something kind of unsurprising given that he’s good in Hidden Figures and one of the two best things in the second season of Daredevil on NetFlix.
