Showing posts with label X. Show all posts
Showing posts with label X. Show all posts

Tuesday, July 19, 2022

Sex and Violence

Film: X
Format: DVD from Sycamore Public Library on various players.

When you think about horror movies in generic terms, sex and death are probably the two words that come up for most people. That is the simple genius behind X, Ti West’s latest horror film. The conceit here is that in the late 1970s, a group of people rent a place in the middle of nowhere in Texas to shoot a pornographic film. It turns out that they chose poorly and all sorts of bad things happen to them. Like plenty of horror movies, X is little more than its elevator pitch in terms of plot, and like many horror movies that use this sort of story, it doesn’t really need a great deal more than the elevator pitch to serve as the plot.

We’re going to have a group of six on their way to make the film. Executive producing is Wayne (Martin Henderson), who evidently has a history of poor returns on money-making ventures. RJ (Owen Campbell) is the prospective film director whose goal is to produce an artistic pornographic film, something more than just smut. He is accompanied by his girlfriend Lorraine (Jenna Ortega), who is essentially the entirety of RJ’s crew. Acting in the film are Jackson Hole (Kid Cudy), Bobby-Lynne (Brittany Snow), and Maxine Minx (Mia Goth), who is in the role of what we assume to be our final girl. She is also Wayne’s girlfriend and is single-minded in her goal of becoming famous.

Wednesday, April 26, 2017

Wednesday Horror: X: The Man with the X-Ray Eyes

Films: X (X: The Man with the X-Ray Eyes)
Format: Turner Classic Movies on rockin’ flatscreen.

I do love good science fiction and I always have. I think we’re often guided by the things that are most formative to us. Both of my brothers loved science fiction and many of my earliest film loves were in this genre. There are, of course, plenty of truly great science fiction films with large budgets—the sort of summer tent pole films that are plenty popular. I love the ones from the ‘50s and ’60s, too. Of these, one of my favorites is X, more formally known as X: The Man with the X-Ray Eyes.

The worst of science fiction takes a stupid premise and does what it can. The best of science fiction takes an interesting premise and offers a view of what might happen. With X, we’re more in the second category by way of the first. What would happen, the film asks, if a man could discover a way to see more than just the visible light spectrum? What horrors might await us with the ability to see below the surface?