Showing posts with label The Hills Have Eyes. Show all posts
Showing posts with label The Hills Have Eyes. Show all posts

Wednesday, October 29, 2025

Ten Days of Terror!: The Hills Have Eyes (2006)

Film: The Hills Have Eyes (2006)
Format: Streaming video from Kanopy on Fire!

I’m always a little suspicious of remakes. Sure, there are a number of remakes that are better than the original film (the version of The Maltese Falcon that everyone knows is the third version of that story, for instance). I’m still wary, though, because even when the remake is good, it’s usually not as good as the first one. I like the idea of filmmakers doing remakes of movies that were bad but had good ideas rather than remaking classics. This is especially true of formative films in a genre. All of this is to say that I watched the 2006 remake of The Hills Have Eyes, and I have some things to say about it.

The basic premise of this remake is essentially the same as the original film. A family on vacation is driving through the American southwest, specifically through the desert around where the nuclear tests were done and find themselves stranded and attacked by a family of mutants who have been affected terribly by the radiation from the bomb tests around Alamogordo.

Sunday, September 8, 2013

Mutants Need Love, Too

Film: The Hills Have Eyes
Format: DVD from personal collection on laptop.

There are times when a horror film director walks the edge between what he can get away with and going just a step too far. It’s a difficult line to walk. A film that takes things too far risks losing the audience completely, but a film that rides that thin edge has the chance of becoming one of the greats of the genre. It’s up to the individual viewer to determine for him- or herself if The Hills Have Eyes steps over that boundary or toes as close to the line as it can. I’m still not 100% sure myself. There are a couple of moments here that put the viewer in the position of watching a film made by someone suddenly capable of doing anything. Wes Craven breaks as many boundaries with this film as he did with The Last House on the Left.

This is also a film that helped create any number of horror film tropes that are still in play today. The Carter family is driving from Ohio to California and stops in the middle of nowhere in the desert at an old gas station. The owner, Fred (John Steadman) warns them that they’re out in the real boonies and that they should stick to the road. Of course, the family does not and eventually their car drives off the road and breaks an axle, leaving them completely stranded and unable to raise help on their radio. That’s bad enough, but it’s certainly not the worst thing that will happen to the Carters.