Monday, January 6, 2020

Oscar Got It Wrong!: Best Actor 1932-1933

The Contenders:

Leslie Howard: Berkeley Square
Paul Muni: I am a Fugitive from a Chain Gang
Charles Laughton: The Private Life of Henry VIII (winner)

What’s Missing

This was the last Oscars that didn’t cover a specific calendar year. As such, it’s the Oscar ceremony that covers the longest period of time, including all films from the entirety of 1933 as well as the back half of 1932. That being the case, there are plenty of possibilities for Best Actor aside from the three that we have. It’s a great era for horror movies, and with a win the previous year for Fredric March in Dr. Jekyll and Mr. Hyde, there are some real possibilities here. To start, there’s Claude Rains and his manic performance in The Invisible Man. A similar manic performance is offered by Leslie Banks in The Most Dangerous Game. Rudolf Klein-Rogge as the title character in The Testament of Dr. Mabuse would have been a fascinating choice. This is also the year for Boris Karloff in The Mummy. The biggest (metaphorically and otherwise) film of the year was probably King Kong, and I want to mention both Robert Armstrong and Bruce Cabot, although both are almost certainly more supporting. It’s also worth saying that Charles Laughton could have easily been nominated for Island of Lost Souls. I’m mildly surprised at the lack of nomination for Clive Brook in Cavalcade, even if I wouldn’t go there. Douglas Fairbanks, Jr. could have swung a nomination for Morning Glory. I would love to see Maurice Chevalier here in Love Me Tonight. Gary Cooper could certainly be here for A Farewell to Arms. John Gilbert in Queen Christina would be an interesting choice if that wasn’t wholly Garbo’s movie. Nils Asther, playing a Chinese military officer, was probably overlooked in The Bitter Tea of General Yen because of racism. The biggest miss for me is Herbert Marshall in Trouble in Paradise.

Weeding through the Nominees

3. I’m on record as saying that I find Leslie Howard about as interesting as dishwater in a beige room. Him being in Berkeley Square did nothing to convince me otherwise. And yet, since his character in this bizarre story is a complete twit, his performance as a complete twit is good enough. Still, it’s hard for me to get excited about a Leslie Howard performance or nomination because he’s a soporific on celluloid. I’d take just about everyone I mentioned above with the possible exception of Clive Brook in his place.

2. I’m just as much on record as being a Charles Laughton fan, and I’m happy that Laughton won an Oscar, but I would have given him the Oscar in 1935 for both Mutiny on the Bounty and Ruggles of Red Gap. His performance here is a good one, and I’m not terribly surprised that he won this Oscar—and sure there’s a desire to hand out an Oscar for a good performance for a good actor, but the Academy needed a little patience. Laughton is always entertaining, and combined with Island of Lost Souls, he did have a damn good 18 months. But he’s not my winner.

My Choice

1. This is absolutely Paul Muni’s Oscar for one of his most powerful and devastating performances. Muni’s biggest problem as an actor was also his biggest strength—he was such a chameleon that it was impossible to pin him down or (sometimes) even remember it was him in a particular role. In an expanded group of nominees, Muni would have a much tougher path to victory against Herbert Marshall, and I’d almost certainly put both as winners. But in reality, only Muni was nominated, and so on this blog, that makes him the clear winner.


Final Analysis

12 comments:

  1. Laughton bites into Henry VIII with such gusto and almost completely dominates his film, Elsa Lanchester steals her scenes as Anne of Cleves and Merle Oberon makes a nice showing of Anne Boleyn but otherwise it's Laughton's picture so it is unsurprising he won. Plus the English pedigree which is probably what put him over the top. And it's not an unjust win, if he had competed the previous year he'd be my winner.

    But this is my favorite Paul Muni performance and it would be my choice for the prize as well. He loved his make-up and the public at large seemed to respond to him that way but I find most of his heavily made up roles fussy and mannered. There is none of that in James Allen, he's complex and real.

    I don't dislike Leslie Howard as much as you but he doesn't belong here, especially when he shut so many better performances out.

    It's crazy that there were only three nominees in a year that could have easily handled five, and really many more. Claude Rains, Nils Asther and Herbert Marshall are all big misses and I'd add Richard Barthelmess in Heroes for Sale,
    Fredric March in Design for Living, Lee Tracy in Bombshell, Warren William in Employee Entrance, William Powell in One Way Passage and Clark Gable in Red Dust as worth considering. All are better than Howard even if Muni would remain my winner.

    ReplyDelete
    Replies
    1. I do like Laughton's performance, and in truth I tend to like all of Laughton's performances. It's not a shock that he won because it is such a joyful time on screen.

      That said, Muni was robbed.

      Delete
  2. Truly the Shame of the Nation as Muni was robbed! With no Tony Camonte, there'd have been no 80's re-make.

    ReplyDelete
    Replies
    1. While I agree, and Scarface is one of Muni's great roles, this is for I am a Fugitive from a Chain Gang.

      Delete
    2. When I re-watch Muni's films, those two are the only ones on my playlist. Personally, I think "I am a Fugitive From a Chain Gang" is one hell of a horror film.

      Delete
    3. While it's not a must-see, The Story of Louis Pasteur isn't bad. The same is true of The Life of Emile Zola, which is good, if a bit slow and cerebral.

      If you can track down The Last Angry Man, it's worth your time. I've heard nothing but good about Black Fury, but I haven't been able to find it.

      Delete
    4. Here's "Black Fury": https://hdbest.net/black-fury-1935-27941.html
      Not close to being either Muni's or Curtiz's best. If there is nothing else on, I can always re-watch "Fugitive" or "Scarface," and I usually see them every couple of years. Especially, in those years when there isn't much to see in the local movie palaces.

      Delete
    5. Thanks for the link! This is one I've been looking for for a bit just to get a little closer to seeing all of Muni's available work.

      Delete
    6. TCM runs several of Muni's films quite often, especially his more famous ones. Right now, I'm rewatching "Hi, Nellie," but they also just ran "The World Changes, Bordertown, The Good Earth," and several others. If you get Youtube TV, TCM films stay on the Youtube TV VOD service for a couple of weeks.

      Delete
    7. I no longer have access to TCM, sadly.

      Delete
  3. Even with Herbert Marshall in contention I would have given it to Muni. A good actor is an actor who can completely disappear into the role and that was Muni's special skill. He deserved this one.

    ReplyDelete
    Replies
    1. I think a case can be made for Marshall, but it's not a case I'd want to make. He'd be a solid second for me.

      Delete