Next Stop: Violence

Film: Bullet Train
Format: Streaming video from NetFlix on Fire!

I’ve spent a lot of time over the last decade plus watching movies that would often be classified as important and meaningful. I’m okay with that, but sometimes you don’t want to think or have deep feelings. Sometimes, you just want to watch things blow up. Fortunately for those of us who sometimes just want to watch the world burn, one of the few things that we have done well in the last 10 years is that we have just about perfected the action movie. While I wouldn’t call it Exhibit A, we need to put Bullet Train on that list.

For the record, I think this trend probably started with Die Hard and has continued (but is not limited to) Dredd, Mad Max: Fury Road, and The Raid: Redemption among others. Bullet Train is very much an action-comedy. What this means is that we’re going to have a lot of fights and a substantial number of deaths, but a lot of it is going to be done (successfully) for laughs.

Deliverance II

Film: Rituals
Format: Streaming video from Tubi TV on Fire!

“Fish out of water” films are a real thing, and they are an odd little sub-category of horror and horror-tangential films. Probably the most famous of them is Deliverance, but it would be a mistake to think that Deliverance clones like Southern Comfort aren’t in some way a response to that film. Even The Descent has some connection—put city folk in the wilderness and, essentially, see what happens. The Hills Have Eyes, Cabin Fever, and even movies like The Naked Prey, Straw Dogs, and Wake in Fright have some connection to the subgenre. Stuck right in the middle of these, almost exactly between Deliverance and Southern Comfort is Rituals, which was also released under the much more B-movie title The Creeper.

Rituals is very clearly a film that wants to be Deliverance. In fact, it is essentially a Canadian version of that film with a lot less star power, since our main star is Hal Holbrook, and that’s about all we’ll get for major players of the time. We have a group of doctors who knew each other in med school who get together for a yearly trip, the planning of which rotates between the people in the group. This time, the planning was done by D.J. (Gary Reineke), and the trip is a fishing/camping/hiking vacation in northern Ontario. Along for the trip are Harry (Hal Holbrook), Mitzi (Lawrence Dane), D.J.’s brother Martin (Robin Gammell) and Abel (Ken James).

I'm Going to Graceland

Film: Elvis
Format: DVD from Sycamore Public Library on basement television.

This year’s Razzie nominations were interesting. While we frequently see a lot of famous names in mix, it’s not often that we see this many high-profile names in the mix. Tom Hanks has been nominated for both Worst Actor and Worst Supporting Actor for films from 2022, in the second case for Elvis, which also happens to be nominated for Best Picture. It’s an interesting situation, because it’s hard to overlook Tom Hanks in Elvis since, as Colonel Tom Parker, he narrates the story.

I have to admit that I went into this with a great deal of trepidation, not because it was about Elvis Presley (Austin Butler), about whom I am pretty ambivalent. It’s the length. Critic Mark Kermode, in his epic takedown of Sex and the City 2 commented that in 2001: A Space Odyssey, Stanley Kubrick took us from the birth of the human species to the birth of the next species in 2 hours and 29 minutes, while SatC 2 is 2 hours and 26 minutes and goes essentially nowhere. Elvis is 2 hours and 39 minutes.

Roe v. Wade

Film: Happening (L’événement)
Format: DVD from Sycamore Public Library on rockin’ flatscreen.

It seems that I have been challenging myself a lot with movies lately. Happening, known as L’événement in the original French is very much a punishing movie. It’s also one that is incredibly important right now, at least in the U.S. It’s a movie that doesn’t pull any punches, so I’m not going to pull any, either. This is a movie about abortion, and it’s a successful one specifically because no matter which side of that debate you fall on, this is a movie that is going to upset you.

You should also be prepared for a surprising amount of nudity. You might expect some because of the subject, but there’s a lot of full frontal nudity in this as well as a sequence where we watch one of the friends of the main character masturbate with a pillow. Be prepared for this if you’re going to watch—you’ll see a lot of nude young women standing in line waiting to get into a communal shower.

Oscar Got It Wrong!: Best Picture 2021

The Contenders:

Belfast
CODA (winner)
Don’t Look Up
Drive My Car
Dune
King Richard
Licorice Pizza
Nightmare Alley
The Power of the Dog
West Side Story

Soon, Germany Will Be Empty

Film: All Quiet on the Western Front (Im Westen nichts Neues)
Format: Streaming video from NetFlix on Fire!

There seems to be no end to movies about war. There are, of course, films that depict war as something glorious, as a thing to be, if not encouraged at least welcomed. Certainly, there are those that depict war as something to be sought after as well. And then there are those films that show war as something terrible and a hell unto itself. Films like Come and See, Paths of Glory, and Das Boot depict war as senseless, endless brutality and a desperate hope to avoid death. The original All Quiet on the Western Front remains one of the greatest anti-war statements in history. To that we can add the 2022 German reimagining of the same name, also know by its German title of Im Westen nichts Neues (which means “Nothing new in the west” if my German hasn’t failed me).

This is, in fact, the third version of this story that I have seen. The first I saw was the 1979 made-for-TV re-imagining starring Richard Thomas, which is very much the weakest of the three. The 1930 film won Best Picture, of course, and as mentioned is still an extremely powerful film. And then there is this latest version, which holds nothing back on the true horror of trench warfare.

Dora Milaje

Film: The Woman King
Format: DVD from Sycamore Public Library on basement television.

So I’m never shy about my opinions regarding the Oscars, especially when it comes to the inherent racism and sexism involved in them. I’ve done a deeper dive on that, something I hope to use someday, but movies like The Woman King are a demonstration of just how big that problem really is. Sure, this is my opinion and it would be easy to rationalize a different opinion, just as it would be easy to say what I think is a rationalization of a short. However, it’s my firm conviction that if The Woman King had been the story of a group of white women (like, say, Women Talking), I would be including this on one or more of my various Oscar lists. But, it’s about African women, and here we are.

This isn’t to denigrate Women Talking, which I have not seen. It’s to suggest that just as the Oscars tend to be more favorable to movies about men, they’re more favorable to movies about white people. Before you start hitting me with examples, know that I don’t really want to hear them. Sure, Moonlight exists as a Best Picture winner. So does Green Book, and the white guy was nominated for Best Actor in that one.